{"id":1799,"date":"2017-09-06T12:39:47","date_gmt":"2017-09-06T11:39:47","guid":{"rendered":"http:\/\/www.shindig-magazine.com\/?p=1799"},"modified":"2017-09-06T12:49:16","modified_gmt":"2017-09-06T11:49:16","slug":"daniel-carson-cloudy-people-premiere","status":"publish","type":"post","link":"https:\/\/shindig-magazine.com\/?p=1799","title":{"rendered":"Daniel Carlson ‘Cloudy People’ premiere"},"content":{"rendered":"

In the making of DAN CARLSON’s fourth album Not A Drawing<\/em> and arguably a future classic it is worth noting the thought process behind the making of something that, in an age of very transient and mass produced “art”<\/strong>, is a wholly refreshing approach, whereupon every detail is painstakingly managed in accordance with the creation of something valuable to cherish<\/strong><\/p>\n

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Daniel says, \u201cInitially, I was going to work with the same crew as Me You You Me<\/em> (all LA session dudes \u2013 all amazing musicians). But, once I got done with what I thought were the demos, it was clear to me that they had a feel that was worth keeping. So then I thought that maybe I’d go out to LA and do some overdub sessions with those guys, but by the time I had time to do it, the songs had evolved even further. At that point, I decided that I’d finish it up in NYC and reached out to famed producer Michael Leonhart to see about him helping me finish, but it didn’t look like he’d have time in the near future. However, we did spend an afternoon listening to what I had and he had a key piece of advice: “less Paul McCartney, more Pink Floyd,” which was where I’d wanted to go anyway (more synths, more dreaminess).\u00a0Then there was the Gizmotron. When I was a kid in the late \u201970s, the local guitar store sold this mysterious device called a Gizmotron. Was totally cool \u2013 fit over the strings of the guitar (close to the bridge) and produced a bowing (instead of a picking) sound.\u00a0 Kind of like an early eBow. And that was the only knowledge I had of it (it wasn’t sold for long) until years later, when I learned it had been invented by Godley & Creme (of 10cc fame) and used on their records and so I heard it in that context. Then, last year, I found out that someone had re-introduced it as the Gizmotron 2.0 and I immediately got one and used it extensively on the record.\u201d<\/p>\n