{"id":2674,"date":"2019-04-29T12:21:33","date_gmt":"2019-04-29T11:21:33","guid":{"rendered":"http:\/\/www.shindig-magazine.com\/?p=2674"},"modified":"2019-04-29T12:21:33","modified_gmt":"2019-04-29T11:21:33","slug":"a-change-of-scenery-another-playlist","status":"publish","type":"post","link":"https:\/\/shindig-magazine.com\/?p=2674","title":{"rendered":"A Change of Scenery: Another playlist"},"content":{"rendered":"<p class=\"Body\" style=\"text-align: left;\" align=\"center\"><strong><span lang=\"IT\">Revered stars and cult heroes, seeking the challenge of a new recording environment or relocating for good. L\u2019<\/span><span lang=\"FR\">\u00c9<\/span><\/strong><span lang=\"IT\"><strong>dition Sp\u00e9ciale de <i>Shindig!\u00a0<\/i>has brought us to France, and that\u2019s where our quest for visionary travellers begins. Paris, then the world: we find Marianne, Dusty and the others, packing for Montparnasse, Memphis or hidden havens. Just remember to make it as much about the journey as the destination, and let the revelations sing.\u00a0<\/strong><\/span><b>CAMILLA AISA serves up the menu<\/b><\/p>\n<hr \/>\n<p><iframe title=\"Spotify Embed: A Change of Scenery\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/playlist\/50KArycb2Bei1AezsRxINz?si=P6Jb2labSFODCUbvPCGk-g&#038;utm_source=oembed\"><\/iframe><\/p>\n<hr \/>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-2697 alignnone\" src=\"http:\/\/www.shindig-magazine.com\/wp-content\/uploads\/2019\/04\/1-1.jpg\" alt=\"\" width=\"250\" height=\"250\" srcset=\"https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/1-1.jpg 250w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/1-1-150x150.jpg 150w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/1-1-24x24.jpg 24w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/1-1-48x48.jpg 48w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/1-1-96x96.jpg 96w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/><\/p>\n<p class=\"Body\"><span lang=\"IT\">\u00a0<\/span><b><span lang=\"IT\">Marianne Faithfull<br \/>\n\u2018Paris Bells\u2019<\/span><\/b><br \/>\nTravels can turn into new lives, and the love between a happy expatriate and their adoptive home can be openly reciprocated. In 2011 Marianne Faithfull was made Commander of Arts and Letters by the French government. She then recalled starting to visit Paris in 1964 &#8211; \u201cThat is when I remember first falling in love with Paris and I have loved it ever since.\u201d In fact, her self-titled release of 1965 already showed signs of indelible attraction (in the form of \u2018Paris Bells\u2019, a smitten postcard-pretty homage that would eventually turn into more significant commitment). Some 50 years later Marianne writes songs from her Montaparnasse home. As the final notes of her latest album \u2013 last year\u2019s <i>Negative Capability \u2013\u00a0<\/i>play, times of reflection, heartache and loss face the muse of a lifetime: \u201cI&#8217;ve seen the moon in Morocco and I&#8217;ve seen the moon in Brazil. Oh, I&#8217;ve seen it in the darkest times coming over the hill. In Martinique it shines on the sea, but in Paris it usually shines on me\u201d.<\/p>\n<p class=\"Body\"><span lang=\"IT\"> <img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-2676 alignleft\" src=\"http:\/\/www.shindig-magazine.com\/wp-content\/uploads\/2019\/04\/2.jpg\" alt=\"\" width=\"250\" height=\"250\" srcset=\"https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/2.jpg 250w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/2-150x150.jpg 150w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/2-24x24.jpg 24w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/2-48x48.jpg 48w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/2-96x96.jpg 96w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/><\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p class=\"Body\"><b><span lang=\"IT\">Dusty Springfield<br \/>\n\u2018What Do You Do When Love Dies\u2019<\/span><\/b><br \/>\nForget how great <i>Dusty In Memphis<\/i>, now a certified classic, sounds. Back in 1968, the pairing of Dusty Springfield with <span lang=\"EN-US\">Chips Moman<\/span><span lang=\"IT\">\u2019<\/span><span lang=\"EN-US\">s American rhythm section\u00a0<\/span><span lang=\"IT\">seemed improbable, challenging to say the least \u2013 as the <i>Shindig!<\/i>#88 cover story has revealed. In the words of Jerry Wexler, one third of the album\u2019s eminent production team: \u201cH<\/span><span lang=\"EN-US\">ow can you put Dusty Springfield in with this band of redneck ragamuffins with that Southern style?<\/span><span lang=\"IT\">\u201d It took some time and some laborious recording sessions. As Dusty later explained, \u201c<\/span><span lang=\"EN-US\">I was someone who had come from thundering drums and Phil Specto<\/span><span lang=\"IT\">r, <\/span><span lang=\"EN-US\">and I didn<\/span><span lang=\"IT\">\u2019<\/span><span lang=\"EN-US\">t understand sparseness. I wanted to fill every space. I didn<\/span><span lang=\"IT\">\u2019<\/span><span lang=\"EN-US\">t understand that the sparseness gave it an atmosphere. When I got free of that I finally liked it, but it took me a long time. I wouldn<\/span><span lang=\"IT\">\u2019<\/span><span lang=\"EN-US\">t play it for a year<\/span><span lang=\"IT\">\u201d. Of all the Memphis recordings, \u2019What Do You Do When Love Dies\u2019 is the one track that didn\u2019t make it on the LP; it still glows with the kind of powerful sparseness Dusty grew to appreciate, and we keep adoring more and more. <\/span><\/p>\n<p class=\"Default\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-2677 alignleft\" src=\"http:\/\/www.shindig-magazine.com\/wp-content\/uploads\/2019\/04\/3.jpg\" alt=\"\" width=\"250\" height=\"250\" srcset=\"https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/3.jpg 250w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/3-150x150.jpg 150w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/3-24x24.jpg 24w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/3-48x48.jpg 48w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/3-96x96.jpg 96w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p class=\"Body\"><b><span lang=\"IT\">Fleetwood Mac<br \/>\n\u2018Come a Little Bit Closer\u2019<\/span><\/b><br \/>\nThat a group of struggling heroes of the revered British Blues went crazy and West Coast all of a sudden at the hands of a young American couple is an oblivious over simplification that could only work for a Hollywood blockbuster of the <i>Bohemian Rhapsody\u00a0<\/i>sloppy persuasion \u2013 or, of course, for people who like to type that \u201cThere is only\u00a0<i>one<\/i>\u00a0rue Fleetwood Mac\u201d in endless Facebook bellicose threads at every possible opportunity. But truth tends to be more complex than <span lang=\"FR\">oversimplification<\/span><span lang=\"IT\">s, and oh do Fleetwood Mac love complex. Bob Welch led his bandmates to the American West Coast, and took the helm of the so-called &#8220;bridge&#8221; era, a period of Fleetwood Mac history that so deserves to be rediscovered and properly valued. <i>Heroes Are Hard to Find<\/i>, the last Welch-fronted album the band released,<i><\/i>has all the harmony-filled tension that would burst and triumph one year later in the dawn of the Nicks-Buckingham era. And \u2018Come a Little Bit Closer\u2019 might very well be one of the most gorgeous songs Christine McVie has ever written. <\/span><\/p>\n<p class=\"Body\"><span lang=\"IT\"> <img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-2678 alignleft\" src=\"http:\/\/www.shindig-magazine.com\/wp-content\/uploads\/2019\/04\/4.jpg\" alt=\"\" width=\"250\" height=\"250\" srcset=\"https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/4.jpg 250w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/4-150x150.jpg 150w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/4-24x24.jpg 24w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/4-48x48.jpg 48w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/4-96x96.jpg 96w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/>\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p class=\"Body\"><b><span lang=\"IT\">Jackson C. Frank<br \/>\n\u2018You Never Wanted Me\u2019<\/span><\/b><b><i><\/i><\/b><br \/>\nWhen Jackson C. Frank came to England in 1965, he wasn\u2019t exactly answering some sort of artistic call. Actually, he was looking for cool cars. <i>Esquire<\/i>had recently proclaimed London <i>the <\/i>place to be for fashionable automotive shopping, and so he quickly caught<span lang=\"EN-US\">a boat to England<\/span><span lang=\"IT\">. Fortunately enough, he brought a guitar with him on the Queen Elizabeth: while on board, he started writing songs, and <i>Blues Run the Game <\/i>was one of those. He landed in folk-obsessed Soho, and turned the tables forever.\u00a0 \u201c<\/span><span lang=\"EN-US\">Jackson is one of the great songwriters who pointed the way for all would-be singer-songwriters<\/span><span lang=\"IT\">\u201d, Bert Jansch commented decades later. \u201c<\/span><span lang=\"EN-US\">He was a good example to follow because he wrote about how he felt about life and that made it easier for the rest of us to write songs<\/span><span lang=\"IT\">\u201d. His self-titled debut LP was released in \u201965, produced by then roommate Paul Simon. According to Jansch, \u201cw<\/span><span lang=\"EN-US\">hen his album came out, everybody took note. For a time, he had as much influence on the English folk scene as Bob Dylan<\/span><span lang=\"IT\">\u201d. Taking note better than anybody else was Sandy Denny, who would later state her very first s<\/span><span lang=\"EN-US\">ongwriting influences had come from <\/span><span lang=\"IT\">him. \u2018You Never Wanted Me\u2019<i><\/i>was one of her favourite Jackson songs, and one of the great gems she helped saving from ill-fated obscurity.<\/span><\/p>\n<p class=\"Body\"><span lang=\"IT\"> <img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-2679 alignleft\" src=\"http:\/\/www.shindig-magazine.com\/wp-content\/uploads\/2019\/04\/5.jpg\" alt=\"\" width=\"250\" height=\"250\" srcset=\"https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/5.jpg 250w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/5-150x150.jpg 150w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/5-24x24.jpg 24w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/5-48x48.jpg 48w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/5-96x96.jpg 96w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/>\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p class=\"Body\"><b><span lang=\"IT\">Neil Young<br \/>\n\u2018Bad Fog Of Loneliness\u2019<\/span><\/b><b><i><\/i><\/b><br \/>\nThree years after Dylan\u2019s <i>Nashville Skyline <\/i>had paved the way for the fruitful affiliation of country and counterculture, <i>Harvest\u00a0<\/i>reasserted what a compelling intersection that was \u2013 even though not everybody seemed to appreciate it at the time. Neil Young turned up in Nashville when he was invited to <i>The Johnny Cash Show <\/i><i><span lang=\"EN-US\">alongside <\/span><\/i><span lang=\"EN-US\">Linda Ronstadt, James Taylor and Tony Joe White<\/span><span lang=\"IT\">. Little did he know that while in town he would find a new producer and a new band. During his first session in the Music City with Elliot Mazer and The Stray Gators, Neil recorded two future classics, \u2018Heart Of Gold\u2019 and \u2018Old Man\u2019 plus \u2018Bad Fog of Loneliness\u2019, a song that was initially intended to be played on <i>The Johnny Cash Show<\/i>. It didn\u2019t make it on the record, but it was later included in live albums and boxsets. It\u2019s the Harvest sound at its best: Ben Keith\u2019s sweet pedal steel, \u2018Needle and the Damage Done\u2019-like melancholy, and mates Linda and James on backing vocals duties. <\/span><\/p>\n<p class=\"Body\"><span lang=\"IT\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-2680 alignnone\" src=\"http:\/\/www.shindig-magazine.com\/wp-content\/uploads\/2019\/04\/6.jpg\" alt=\"\" width=\"250\" height=\"250\" srcset=\"https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/6.jpg 250w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/6-150x150.jpg 150w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/6-24x24.jpg 24w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/6-48x48.jpg 48w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/6-96x96.jpg 96w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/> <\/span><\/p>\n<p class=\"Body\"><b><span lang=\"IT\">William Tyler<br \/>\n\u2018Fail Safe\u2019<\/span><\/b><b><i><\/i><\/b><br \/>\nBorn in Nashville, William Tyler recently relocated to California \u00a0\u2013 and as the title suggests, his latest album <i>Goes West <\/i>makes a point of reflecting his new environment. \u201cL\u00a0<span lang=\"EN-US\">doesn<\/span><span lang=\"IT\">\u2019<\/span><span lang=\"EN-US\">t feel like home,<\/span><span lang=\"IT\">\u201d he recently told <i>Shindig!<\/i>\u00a0\u201c<\/span><span lang=\"EN-US\">But the whole reason I moved out\u00a0<\/span><span lang=\"EN-US\">there was to get away from home. It<\/span><span lang=\"IT\">\u2019<\/span><span lang=\"EN-US\">s a<\/span><span lang=\"EN-US\">stunningly diverse miasma of culture and\u00a0<\/span><span lang=\"EN-US\">geography and displaced creative souls, so\u00a0<\/span><span lang=\"EN-US\">I guess I\u00a0<\/span><span lang=\"EN-US\">truly hope it continues to shape\u00a0<\/span><span lang=\"IT\">me!\u201d It\u2019s all there, what we so untiringly love about guitars in the West; it\u2019s evocatively intertwined with Tyler\u2019s unique style, and \u2018Fail Safe\u2019 is a perfect example of how winning this combination is. <\/span><\/p>\n<p class=\"Body\"><b><span lang=\"IT\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-2681 alignnone\" src=\"http:\/\/www.shindig-magazine.com\/wp-content\/uploads\/2019\/04\/7.jpg\" alt=\"\" width=\"250\" height=\"250\" srcset=\"https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/7.jpg 250w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/7-150x150.jpg 150w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/7-24x24.jpg 24w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/7-48x48.jpg 48w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/7-96x96.jpg 96w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/> <\/span><\/b><\/p>\n<p><strong>Vashti Bunyan <\/strong><br \/>\n<strong>\u2018Jog Along Bess\u2019<\/strong><b><\/b><br \/>\nQuaint travels and a company of four: Vashti Bunyan, Robert Lewis, dog Blue and horse Bess. Destination: Donovan\u2019s Scottish islands, a haven and heaven for poets, musicians, wanderers of all kinds. The plan: stopping by villages to sing songs and share dreams. The setting: latent Arcadia waiting to be rediscovered. Well, yes, it turned out to be more difficult and less dreamy than expected. They left in the Summer of \u201968 and arrived in Skye more than a year later. But at least the bumps in the road and the less picturesque itineraries proved to be musically fruitful: \u201cI think the most jiggedy-joggedy songs were written in the worst bits of industrial England\u201d Vashti later recalled, \u201cwhere it was really horrible to be going through. Like the outskirts of Manchester, where there were a whole lot of children in the street without shoes.\u201d<\/p>\n<p class=\"Body\"><span lang=\"IT\"> <img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-2682 alignnone\" src=\"http:\/\/www.shindig-magazine.com\/wp-content\/uploads\/2019\/04\/8.jpg\" alt=\"\" width=\"250\" height=\"250\" srcset=\"https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/8.jpg 250w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/8-150x150.jpg 150w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/8-24x24.jpg 24w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/8-48x48.jpg 48w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/8-96x96.jpg 96w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/>\u00a0<\/span><\/p>\n<p><strong>Led Zeppelin<\/strong><br \/>\n<strong>\u2018That\u2019s The Way\u2019<\/strong><b><\/b><br \/>\nAmong many things, \u2019That\u2019s the Way\u2019 deserves credit for surprising Lester Bangs. Yes, a Page-Plant song from 1970 actually overwhelmed <i>the\u00a0<\/i>Lester Bangs. \u201cIt\u2019<span lang=\"EN-US\">s the first song they<\/span><span lang=\"IT\">\u2019<\/span><span lang=\"EN-US\">ve ever done that has truly moved me<\/span><span lang=\"IT\">\u201d he wrote. \u201c<\/span><span lang=\"EN-US\">Son of a gun, it<\/span><span lang=\"IT\">\u2019<\/span><span lang=\"EN-US\">s beautiful.<\/span><span lang=\"IT\">\u201d\u00a0<\/span><span lang=\"IT\">The song was written in the Bron-Yr-Aur cottage, the peaceful Welsh retreat that would significantly remodel the duo\u2019s approach to songwriting. It\u2019s thanks to those serene surroundings that Led Zeppelin picked up what Bangs most liked about the song: the power of restraint. <\/span><\/p>\n<p class=\"Body\"><span lang=\"IT\"> <img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-2683 alignnone\" src=\"http:\/\/www.shindig-magazine.com\/wp-content\/uploads\/2019\/04\/9.jpg\" alt=\"\" width=\"250\" height=\"250\" srcset=\"https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/9.jpg 250w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/9-150x150.jpg 150w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/9-24x24.jpg 24w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/9-48x48.jpg 48w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/9-96x96.jpg 96w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/>\u00a0<\/span><\/p>\n<p><strong>The Lollipop Shoppe <\/strong><br \/>\n<strong>\u2018Underground Railroad\u2019<\/strong><b><i><\/i><\/b><br \/>\nSometimes a stop along the way can turn into the destination of a lifetime. For Las Vegas, Nevada band The Weeds that stop was Portland, Oregon. Not only did they end up releasing <span lang=\"EN-US\">what is probably the most fascinating psychedelic LP to come out of\u00a0<\/span><span lang=\"EN-US\">the <\/span><span lang=\"IT\">Pacific<\/span><span lang=\"EN-US\">Northwest\u00a0<\/span><span lang=\"IT\">(1967\u2019s <i>Just Colour<\/i>, after changing their name to The Lollipop Shoppe), but they also gave the Northwest underground one of its most emblematic music heroes. Frontman Fred Cole would later form, among many other groups, legendary DIY band Dead Moon. Even when The Lollipop Shoppe were a bunch of new comers, songs like \u2018Underground Railroad\u2019 immediately managed to\u00a0<\/span><span lang=\"FR\">blend\u00a0<\/span><span lang=\"IT\">the\u00a0<\/span><span lang=\"EN-US\">garage fervour, cathartic <\/span><span lang=\"IT\">dark <\/span><span lang=\"EN-US\">psychedelia and proto-punk urgency\u00a0<\/span><span lang=\"IT\">that would make Northwest music stand out for decades to come. It was \u201967, and Fred Cole chose Portland. Or, perhaps, Portland chose him. <\/span><\/p>\n<p class=\"Body\"><span lang=\"IT\"> <img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-2684 alignnone\" src=\"http:\/\/www.shindig-magazine.com\/wp-content\/uploads\/2019\/04\/10.jpg\" alt=\"\" width=\"250\" height=\"250\" srcset=\"https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/10.jpg 250w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/10-150x150.jpg 150w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/10-24x24.jpg 24w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/10-48x48.jpg 48w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/10-96x96.jpg 96w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/>\u00a0<\/span><\/p>\n<p><strong>Wooden Shjips <\/strong><br \/>\n<strong>\u2018These Shadows\u2019<\/strong> <b><br \/>\n<\/b>Some 45 years after The Lollipop Shoppe, hypnotic Bay Area quartet Wooden Shjips also moved to Portland. Right before the relocation, 2011 LP <i>West <\/i>proudly showed the <span lang=\"DE\">Golden Gate Bridge<\/span><span lang=\"IT\">on the cover; two years later, the new Northwest influence revealed itself through the sound of <i>Back To Land<\/i>, especially on the cloudy trippiness of standout track \u2018These Shadows\u2019.<\/span><\/p>\n<p class=\"Body\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-2685 alignnone\" src=\"http:\/\/www.shindig-magazine.com\/wp-content\/uploads\/2019\/04\/11.jpg\" alt=\"\" width=\"250\" height=\"250\" srcset=\"https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/11.jpg 250w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/11-150x150.jpg 150w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/11-24x24.jpg 24w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/11-48x48.jpg 48w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/11-96x96.jpg 96w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/><\/p>\n<p><strong>Jess Williamson <\/strong><br \/>\n<strong>\u2018I See The White\u2019<\/strong><b><i><\/i><\/b><br \/>\nThe Summer Of Love might be long gone, but the Californian call seems to be still in full force. There\u2019s no shortage of young artists going west \u2013 sometimes chasing ineffective fantasies. But sometimes we get to discover a beautiful gem of a record, and fall in love with the idea of musicians moving to California all over again. This is the case for Jess Williamson, who moved to L \u00a0from her home state of Texas in 2016. The West Coast knows how to make its sonic mark on albums, and that surely worked on the trippy Americana of <i>Cosmic Wink<\/i>, one of the most intriguing releases of last year. But fine influences can be textual, too: \u201cTell me everything you know about consciousness\u201d Jess Williamson sings on standout track \u2018I See The White\u2019, and it\u2019s an invitation that could come right out of those mythic \u201960s.<\/p>\n<p class=\"Body\"><b><span lang=\"IT\"> <img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-2686 alignnone\" src=\"http:\/\/www.shindig-magazine.com\/wp-content\/uploads\/2019\/04\/12.jpg\" alt=\"\" width=\"250\" height=\"250\" srcset=\"https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/12.jpg 250w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/12-150x150.jpg 150w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/12-24x24.jpg 24w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/12-48x48.jpg 48w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/12-96x96.jpg 96w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/>\u00a0<\/span><\/b><\/p>\n<p><strong>Caetano Veloso <\/strong><br \/>\n<strong>\u2018London London\u2019<\/strong><b><\/b><br \/>\nAt the beginning of 1969 Caetano Veloso and Gilberto Gil were arrested for the &#8220;degenerate&#8221; nature of their politicised music. The military wanted them out of Brasil. So they managed to organise a concert that would allow them to found the forced transfer, and sent their manager to Europe on a reconnoisance mission. Where to go? \u201d<span lang=\"EN-US\">Lisbon and Madrid were out of the question as Portugal and Spain were under a heavy dictatorship. Paris had a boring musical ambience. London was the best place for a musician to b<\/span><span lang=\"IT\">e,\u201d Gil asserted. And while he embraced London immediately, Veloso had to deal with homesickness. His 1971 self-titled LP, recorded in England, reflects this wistful condition \u2013 \u2018London London\u2019 painting a candid picture of his new life in exile. In the midst of melancholy, being close to the rock music he had always admired was fruitfully inspirational. \u201c<\/span><span lang=\"EN-US\">I learned about authenticity,<\/span><span lang=\"IT\">\u201d<\/span><span lang=\"IT\">\u00a0he said decades later. \u201c<\/span><span lang=\"EN-US\">I was initially reluctant to play guitar on my own records, and would delegate that to more skilled musicians. But producers convinced me that the frailties of my guitar style were part of the charm of the song. That was very liberating<\/span><span lang=\"IT\">\u201d. <\/span><\/p>\n<p class=\"Body\"><span lang=\"IT\"> <img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-2687 alignnone\" src=\"http:\/\/www.shindig-magazine.com\/wp-content\/uploads\/2019\/04\/13.jpg\" alt=\"\" width=\"250\" height=\"250\" srcset=\"https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/13.jpg 250w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/13-150x150.jpg 150w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/13-24x24.jpg 24w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/13-48x48.jpg 48w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/13-96x96.jpg 96w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/>\u00a0<\/span><\/p>\n<p><strong>Paul Horn <\/strong><br \/>\n<strong>\u2018Mumtaz Mahal\u2019<\/strong><b><\/b><br \/>\nIn the second half of the \u201960s pretty much every musician wanted to go to India. A few lucky pop stars managed to actually go \u2013 most famously, The Beatles. Among the colourful gang that kept them company while visiting the Maharishi was fellow Transcendental Meditation practitioner Paul Horn. Yes, i<span lang=\"EN-US\">n the second half of the \u201960s\u00a0<\/span><span lang=\"IT\">virtually every musician managed to incorporate Indian flavours into their music. But not every musician went on to record it <i>inside\u00a0<\/i>the Taj Mahal \u2013 as Horn did in April 1968. Can you imagine that? \u201cSorry Beatles, I won\u2019t be back for dinner tonight \u2013 I\u2019ve got something quite historic to do.\u201d<\/span><\/p>\n<p class=\"Body\"><span lang=\"IT\"> <img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-2688 alignnone\" src=\"http:\/\/www.shindig-magazine.com\/wp-content\/uploads\/2019\/04\/14.jpg\" alt=\"\" width=\"250\" height=\"250\" srcset=\"https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/14.jpg 250w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/14-150x150.jpg 150w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/14-24x24.jpg 24w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/14-48x48.jpg 48w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/14-96x96.jpg 96w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/>\u00a0<\/span><\/p>\n<p><strong>Wings <\/strong><br \/>\n<strong>\u2018Picasso\u2019s Last Words (Drink To Me)\u2019<\/strong><b><br \/>\n<\/b>Double travel for this Wings classic: first, to Jamaica, where none other than Dustin Hoffman challenged Paul McCartney to write a song about whatever popped out of the first magazine at hand, on the spot. It was 1973, and Pablo Picasso had just died. The article they found reported the artist\u2019s last words, and so did Paul: \u201cD<span lang=\"EN-US\">rink to me, drink to my health<\/span><span lang=\"IT\">. <\/span><span lang=\"EN-US\">You know I can&#8217;t drink any more.<\/span><span lang=\"IT\">\u201d Yes, Dustin, Paul could indeed write about <i>anything<\/i>. And then it was Nigeria: Lagos, where Wings recorded their acclaimed <i>Band On The Run <\/i>LP following Paul\u2019s longing for exotic atmosphere. Ginger Baker was also in Nigeria at the time, and invited them over at his <\/span><span lang=\"DE\">ARC Studio<\/span><span lang=\"IT\">. Paul brought \u2018Picasso\u2019s Last Words\u2019 with him and recorded it there with Linda and Danny Laine. Meanwhile, faced with an arduous question \u2013 what do you play when you\u2019re recording with a Beatle? \u2013, Ginger Baker found a most ingenious answer. Well, of course: a tin can full of <i>stones<\/i>.<\/span><\/p>\n<p class=\"Body\"><span lang=\"IT\"> <img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-2689 alignnone\" src=\"http:\/\/www.shindig-magazine.com\/wp-content\/uploads\/2019\/04\/15.jpg\" alt=\"\" width=\"250\" height=\"250\" srcset=\"https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/15.jpg 250w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/15-150x150.jpg 150w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/15-24x24.jpg 24w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/15-48x48.jpg 48w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/15-96x96.jpg 96w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/>\u00a0<\/span><\/p>\n<p><strong>Kendra Smith <\/strong><br \/>\n<strong>\u2018Space: Unadorned\u2019<\/strong><b><i><\/i><\/b><br \/>\nMoving can sometimes have more to do with disappearing than relocating. And when it comes to dropping out of sight it is likely that nobody can sing about it better than Kendra Smith. After wishing the world sweet happy nightmares with Opal, the former Dream Syndicate bassist moved to Northern California, to the woods, in the early \u201990s. In 1995 she released the aptly titled album <i>Five Ways Of Disappearing<\/i>, a collection of dreamy acid-folk cogitations reflecting an existence off the grid: Eastern sounds questioning the cosmos, a pump organ among redwoods. The press release for the record quoted Kendra describing her new &#8220;primitive&#8221; life as \u201cphysically and \u2018psychically&#8221;\u00a0<span lang=\"IT\">demanding. But it\u2019s satisfying to me. There are many opportunities to study nature and conduct scientific experiments. I know enough of humans already\u201d. <\/span><\/p>\n<p class=\"Body\"><span lang=\"IT\"> <img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-2690 alignnone\" src=\"http:\/\/www.shindig-magazine.com\/wp-content\/uploads\/2019\/04\/16.jpg\" alt=\"\" width=\"250\" height=\"250\" srcset=\"https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/16.jpg 250w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/16-150x150.jpg 150w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/16-24x24.jpg 24w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/16-48x48.jpg 48w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/16-96x96.jpg 96w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/>\u00a0<\/span><\/p>\n<p><strong>Nektar <\/strong><br \/>\n<strong>\u2018It\u2019s All In The Mind\u2019<\/strong><b><\/b><br \/>\nThe late ]60s and early \u201970s found quite a handful of Englishmen making music in Germany. Members of Nektar started playing together in 1969 in Hamburg and released their first LP, <i>Journey To The Centre Of The Eye<\/i>, two years later. It was a spacey concept album that blurred the lines between ambitious psychedelia and the dense progressive that was starting to emerge. \u201c<span lang=\"EN-US\">My mind expands to a great degree,&#8221;\u00a0<\/span><span lang=\"IT\">\u00a0they sing on the epic \u2018It\u2019s All In The Mind\u2019, where the album\u2019s protagonist, an astronaut facing a new galaxy, deals with devastating consciousness: it\u2019s all so overwhelming, as Nektar\u2019s phantasmagoric guitars underline, that he doesn\u2019t want to see anymore. As the next song arrives, he renounces his eyes and starts to only see with the mind. <\/span><\/p>\n<p class=\"Body\"><span lang=\"IT\"> <img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-2691 alignnone\" src=\"http:\/\/www.shindig-magazine.com\/wp-content\/uploads\/2019\/04\/17.jpg\" alt=\"\" width=\"250\" height=\"250\" srcset=\"https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/17.jpg 250w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/17-150x150.jpg 150w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/17-24x24.jpg 24w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/17-48x48.jpg 48w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/17-96x96.jpg 96w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/>\u00a0<\/span><\/p>\n<p><strong>Iggy Pop <\/strong><br \/>\n<strong>\u2018Nightclubbing\u2019<\/strong><br \/>\nWhen it comes to musicians travelling to Germany in search of new inspiration, two names pop in all our minds: David Bowie and Iggy Pop, the English duke and the runaway Stooge. They were famously looking for retreat: from addiction, and from their own fame. But something else was drawing them to Berlin; Iggy Pop later recalled: \u201cI\u2019d always been fascinated with the Germans \u2013 a lot of guys in rock \u2019n\u2019 roll liked the uniform, you know. I went there with Bowie and we basically dug the whole idea that this was Berlin\u2026 this was a war zone, a no man\u2019s land\u201d \u2018Nightclubbing\u2019, written with Bowie, is the sound of their decadent days in no man\u2019s land &#8211; \u201coh, isn\u2019t it wild?\u201d.<\/p>\n<p class=\"Body\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-2692 alignnone\" src=\"http:\/\/www.shindig-magazine.com\/wp-content\/uploads\/2019\/04\/18.jpg\" alt=\"\" width=\"250\" height=\"250\" srcset=\"https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/18.jpg 250w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/18-150x150.jpg 150w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/18-24x24.jpg 24w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/18-48x48.jpg 48w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/18-96x96.jpg 96w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/><\/p>\n<p><strong>David Bowie <\/strong><br \/>\n<strong>\u2018Speed of Life\u2019<\/strong><b><i><\/i><\/b><br \/>\nFor Bowie, an appealing aspect of Berlin was the anonymity it granted him. You can picture him observing life \u2013 the life of \u201970s Berlin, present futurisms in the making \u2013, observing the German music scene, undisturbed. The impression so vivid it didn\u2019t require any words: and so <i>Low\u00a0<\/i>opens with Bowie\u2019s first instrumental, \u2018Speed Of Life\u2019, a living metallic cityscape conjured with Brian Eno.<\/p>\n<p class=\"Body\"><span lang=\"IT\">\u00a0<\/span><\/p>\n<p class=\"Body\"><b><span lang=\"IT\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-2693 alignnone\" src=\"http:\/\/www.shindig-magazine.com\/wp-content\/uploads\/2019\/04\/19.jpg\" alt=\"\" width=\"250\" height=\"250\" srcset=\"https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/19.jpg 250w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/19-150x150.jpg 150w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/19-24x24.jpg 24w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/19-48x48.jpg 48w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/19-96x96.jpg 96w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/> <\/span><\/b><\/p>\n<p><strong>CAN <\/strong><br \/>\n<strong>\u2018Oh Yeah\u2019<\/strong><b><\/b><br \/>\nSince we\u2019re already in German territory, it\u2019s worth paying a visit to everybody\u2019s favourite German band \u2013 a group of wild experimenters who didn\u2019t have to travel far to find the right environment for their seismic early records. CAN traveled to the countryside near Cologne, and moved in the <span lang=\"DE\">Schloss N<\/span><span lang=\"SV\">\u00f6<\/span><span lang=\"IT\">rvenich castle with their equipment. The castle would eventually turn into a sort of additional instrument: \u201c<\/span><span lang=\"EN-US\">It had a huge entrance hall which actually was our reverb,<\/span><span lang=\"IT\">\u201d\u00a0<\/span><span lang=\"DE\">Irmin Schmidt\u00a0<\/span><span lang=\"IT\">recalled. \u201c<\/span><span lang=\"EN-US\">It had an exceptional, beautiful reverb, so we were always putting loudspeakers into the hallway and using it as a reverb chamber.<\/span><span lang=\"IT\">\u201d Within those walls the sound of CAN took shape. As David Stubbs points out in his <\/span><i><span lang=\"EN-US\">Future Days\u00a0<\/span><\/i><i><\/i><span lang=\"IT\">book, \u201cThe isolation of <\/span><span lang=\"DE\">Schloss N<\/span><span lang=\"SV\">\u00f6<\/span><span lang=\"IT\">rvenich and the lack of any outside influence in terms of commercial and artistic direction, sound engineering or production meant that they had absolute freedom to become whatever they saw fit to become, with no preset plan or pre-written material.\u201d<\/span><\/p>\n<p class=\"Body\"><span lang=\"IT\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-2694 alignnone\" src=\"http:\/\/www.shindig-magazine.com\/wp-content\/uploads\/2019\/04\/20.jpg\" alt=\"\" width=\"250\" height=\"250\" srcset=\"https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/20.jpg 250w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/20-150x150.jpg 150w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/20-24x24.jpg 24w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/20-48x48.jpg 48w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/20-96x96.jpg 96w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/> \u00a0<\/span><\/p>\n<p><strong>The Cramps <\/strong><br \/>\n<strong>\u2018Human Fly\u2019<\/strong><br \/>\nDusty brought us to Memphis at the beginning of this journey into musical journeys. Here we are, once again: from the American Sound Studio with its big stars of soul to the Ardent Studios of Big Star. <span lang=\"EN-US\">This time around, it<\/span><span lang=\"IT\">\u2019s time for <\/span><span lang=\"EN-US\">the Memphis of cult guitar<\/span><span lang=\"IT\">s to shine: we find some California-by-CBGB young rebels following their unlikely mentor, Alex Chilton. \u201cI can take you to Memphis,\u201d he just told The Cramps after seeing them live in New York. There\u2019s no need to ask them twice: they\u2019re all crammed in a drive away car in no time. Next stop, Tennessee. The Cramps release their <i>Gravest Hits <\/i>EP, p<\/span><span lang=\"EN-US\">roduced by Chilton,<\/span><span lang=\"IT\">in the Summer of 1979, just seven years after Big Star\u2019s own debut. \u201cIt was the opposite of our New York experience,\u201d guitarist Poison Ivy would later say. According to lead singer Lux Interior, \u201cIt was really great with him, because he was basically fucked up and getting loaded, falling asleep on the console. It was so different from our other experience, where a man behind the glass would command, \u2018Go! Be creative now!\u201d \u00a0<\/span><\/p>\n<p class=\"Body\"><span lang=\"IT\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-2695 alignnone\" src=\"http:\/\/www.shindig-magazine.com\/wp-content\/uploads\/2019\/04\/21.jpg\" alt=\"\" width=\"250\" height=\"250\" srcset=\"https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/21.jpg 250w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/21-150x150.jpg 150w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/21-24x24.jpg 24w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/21-48x48.jpg 48w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2019\/04\/21-96x96.jpg 96w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/>\u00a0<\/span><\/p>\n<p><strong>The Rolling Stones <\/strong><br \/>\n<strong>\u2018Happy\u2019<\/strong><b><\/b><br \/>\nBack to France. We started from mid 60s Paris, with the guidance of Marianne, and we\u2019re coming full circle &#8211; fast forward to the early 70s, pleased to meet Marianne\u2019s notorious cohorts. Sometimes the reasons behind artists\u2019 mythic travels are not exactly as graceful and poetic as we love to imagine. You take a title like <i>Exile on Main St. <\/i>and you can\u2019t help but imagine modern day Byrons\u2026perhaps even a long-haired <span lang=\"SV\">Trotsky<\/span><span lang=\"IT\">with an electric guitar. As a matter of fact, in 1971 the Rolling Stones chose to live as arguably less romantic tax exiles. Hey, we\u2019re not here to judge. What we can assuredly say is that Keith Richards had the laudable idea of renting a villa in Nellc\u00f4te, near Nice, and invite his bandmates over for some inspired recording sessions. One of them would be remarkably casual: an after lunch in the basement, and by tea time Keith had \u2018Happy\u2019, his signature single.<\/span><\/p>\n<span class=\"synved-social-container synved-social-container-share\"><a class=\"synved-social-button synved-social-button-share synved-social-size-24 synved-social-resolution-single synved-social-provider-facebook nolightbox\" data-provider=\"facebook\" target=\"_blank\" rel=\"nofollow\" title=\"Share on Facebook\" href=\"http:\/\/www.facebook.com\/sharer.php?u=https%3A%2F%2Fshindig-magazine.com%2Findex.php%3Frest_route%3D%252Fwp%252Fv2%252Fposts%252F2674&#038;t=A%20Change%20of%20Scenery%3A%20Another%20playlist&#038;s=100&#038;p&#091;url&#093;=https%3A%2F%2Fshindig-magazine.com%2Findex.php%3Frest_route%3D%252Fwp%252Fv2%252Fposts%252F2674&#038;p&#091;images&#093;&#091;0&#093;=https%3A%2F%2Fshindig-magazine.com%2Fwp-content%2Fuploads%2F2019%2F04%2Fcover-image.jpg&#038;p&#091;title&#093;=A%20Change%20of%20Scenery%3A%20Another%20playlist\" style=\"font-size: 0px;width:24px;height:24px;margin:0;margin-bottom:5px;margin-right:5px\"><img loading=\"lazy\" decoding=\"async\" alt=\"Facebook\" title=\"Share on Facebook\" class=\"synved-share-image synved-social-image synved-social-image-share\" width=\"24\" height=\"24\" style=\"display: inline;width:24px;height:24px;margin: 0;padding: 0;border: none;box-shadow: none\" src=\"https:\/\/shindig-magazine.com\/wp-content\/plugins\/social-media-feather\/synved-social\/image\/social\/regular\/48x48\/facebook.png\" \/><\/a><a class=\"synved-social-button synved-social-button-share synved-social-size-24 synved-social-resolution-single synved-social-provider-twitter nolightbox\" data-provider=\"twitter\" target=\"_blank\" rel=\"nofollow\" title=\"Share on Twitter\" href=\"http:\/\/twitter.com\/share?url=https%3A%2F%2Fshindig-magazine.com%2Findex.php%3Frest_route%3D%252Fwp%252Fv2%252Fposts%252F2674&#038;text=New%20post%20on%20our%20site\" style=\"font-size: 0px;width:24px;height:24px;margin:0;margin-bottom:5px;margin-right:5px\"><img loading=\"lazy\" decoding=\"async\" alt=\"twitter\" title=\"Share on Twitter\" class=\"synved-share-image synved-social-image synved-social-image-share\" width=\"24\" height=\"24\" style=\"display: inline;width:24px;height:24px;margin: 0;padding: 0;border: none;box-shadow: none\" src=\"https:\/\/shindig-magazine.com\/wp-content\/plugins\/social-media-feather\/synved-social\/image\/social\/regular\/48x48\/twitter.png\" \/><\/a><a class=\"synved-social-button synved-social-button-share synved-social-size-24 synved-social-resolution-single synved-social-provider-mail nolightbox\" data-provider=\"mail\" rel=\"nofollow\" title=\"Share by email\" href=\"mailto:?subject=A%20Change%20of%20Scenery%3A%20Another%20playlist&#038;body=New%20post%20on%20our%20site:%20https%3A%2F%2Fshindig-magazine.com%2Findex.php%3Frest_route%3D%252Fwp%252Fv2%252Fposts%252F2674\" style=\"font-size: 0px;width:24px;height:24px;margin:0;margin-bottom:5px;margin-right:5px\"><img loading=\"lazy\" decoding=\"async\" alt=\"mail\" title=\"Share by email\" class=\"synved-share-image synved-social-image synved-social-image-share\" width=\"24\" height=\"24\" style=\"display: inline;width:24px;height:24px;margin: 0;padding: 0;border: none;box-shadow: none\" src=\"https:\/\/shindig-magazine.com\/wp-content\/plugins\/social-media-feather\/synved-social\/image\/social\/regular\/48x48\/mail.png\" \/><\/a><\/span>","protected":false},"excerpt":{"rendered":"<p>Revered stars and cult heroes, seeking the challenge of a new recording environment or relocating for good. L\u2019\u00c9dition Sp\u00e9ciale de Shindig!\u00a0has brought us to France, and that\u2019s where our quest for visionary travellers begins. Paris, then the world: we find Marianne, Dusty and the others, packing for Montparnasse, Memphis or hidden havens. 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