{"id":5294,"date":"2022-03-21T18:29:35","date_gmt":"2022-03-21T18:29:35","guid":{"rendered":"https:\/\/www.shindig-magazine.com\/?p=5294"},"modified":"2022-03-21T18:45:49","modified_gmt":"2022-03-21T18:45:49","slug":"altamont-dark-rituals-counter-cultural-musings-from-tsptr-dossier-8","status":"publish","type":"post","link":"https:\/\/shindig-magazine.com\/?p=5294","title":{"rendered":"Altamont: Dark Rituals\u2013 Counter-Cultural musings from TSPTR. Dossier #8"},"content":{"rendered":"<p><strong>In the eighth of our monthly counter-cultural musings from\u00a0<\/strong><a href=\"https:\/\/tsptr.com\/\"><strong>TSPTR, <\/strong><\/a><strong>darkness at the end of the \u201960s<\/strong><\/p>\n<hr \/>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-5296\" src=\"https:\/\/www.shindig-magazine.com\/wp-content\/uploads\/2022\/03\/6465286069_ddbd089485.jpeg\" alt=\"\" width=\"320\" height=\"500\" srcset=\"https:\/\/shindig-magazine.com\/wp-content\/uploads\/2022\/03\/6465286069_ddbd089485.jpeg 320w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2022\/03\/6465286069_ddbd089485-192x300.jpeg 192w\" sizes=\"auto, (max-width: 320px) 100vw, 320px\" \/><\/p>\n<p>The problem with invocations is that they have a habit of working. They are particularly potent when made at points of critical mass, when others are calling similar forces from the ether. Throughout 1969 the air in California was crackling with heavy anticipation, on 6th December the Moon moved into the house of Scorpio, the point in the month &#8220;when the Universal Vibration is at its most unstable&#8221;. At the same time The Rolling Stones took to the stage at the Altamont Speedway in Northern California, this was to be the last date of their \u201969 North American tour \u2013 a month long junket to support their 10th American album <em>Let It Bleed<\/em> \u2013 and the West Coast astrologers started to get nervous.<\/p>\n<p>https:\/\/youtu.be\/C28jTm6zRB8<\/p>\n<p>Since the release of their eighth LP, <em>Their Satanic Majesties Request<\/em> in December \u201967, the Stones had been flirting with the occult. The violence of their songs seemed more and more to mirror the social misery of the late \u201960s \u2013 street riots, assassinations and the grinding imperative of The Vietnam War. Stanley Booth, a writer travelling with the band, was taken with their song \u2018Midnight Rambler\u2019, a queasy homage to Albert DeSalvo, the Boston Strangler. It made him think of George Howard Putt, the recently arrested &#8220;sex-slayer&#8221; of Memphis, as well as The Zodiac Killer who was at that point rambling free through the San Francisco Bay Area. A mere three months had passed since the Tate-LaBianca murders and as concert crowds amassed at Altamont, reports of Manson\u2019s arrest were just beginning to circulate. Seeing the landowners of the Altamont area shut their doors fearing more of the same violence, Booth wrote in his notebook that &#8220;murder seemed to be in the air these days, like the scent of flowers in the spring&#8221;. And now, singing about death and the devil while wearing a shirt emblazoned with the sign of the omega, and flanked by Hells Angels, Mick Jagger seemed to be deliberately playing with the dates astrological fire.<\/p>\n<p><iframe loading=\"lazy\" title=\"Altamont Free Concert  - Death of Meredith Hunter\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/0qTKsylrpsg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>In this isolated dragstrip, strewn with the wreckage of stock cars, the Stones arrived by helicopter. As they exited the craft, in a moment of cosmic prescience, a young man stepped into Jagger\u2019s path and punched him in the face, knocking him down. &#8220;Fuck you, Mick Jagger,&#8221; he screamed. &#8220;I hate you!&#8221; Shaken but not abated, the Stones waited in their caravan while the other bands present were feeling the brunt of the bad vibes circulating. Marty Balin from Jefferson Airplane was knocked unconscious trying to stop the Hells Angels &#8220;security guards&#8221; from stomping on some poor audience member who had presumably given them a wayward side-glance. Another Angel sat beside Crosby, Stills, Nash &amp; Young\u2019s Stephen Stills as he performed and repeatedly stabbed him in the leg with a sharpened bicycle spoke every time Stills stepped forward to sing. Streams of blood soaked his trousers. A fat, naked Latino man was pummelled for dancing erratically and could later be seen covered in blood, his teeth missing. A naked woman dispensing hugs received similar treatment. The injured were littered backstage like wounded soldiers.<\/p>\n<p>The Grateful Dead\u2019s response to this news was to refuse to go onstage. As night came on and the bad acid made its way through the crowd, fist fights ensued. Amid the violence, a man drowned in a drainage pit, two people were killed in an onsite hit and run and, as the Stones played \u2018Under My Thumb\u2019, a young black man named Meredith Hunter was stabbed, beaten and kicked to death by one of the Hells Angels, in full view of the stage. The next morning, as the rest of the band settled into their breakfast of bourbon and cocaine, Jagger flew out to Switzerland with $1.8 million in cash tour takings to deposit in a bank.<\/p>\n<p>https:\/\/youtu.be\/lMeqKCVJ3cA<\/p>\n<p>Altamont was immediately seared into the American imagination at a point when social oblivion felt tangible. It became clear that Altamont represented the antithesis of \u201967&#8217;s Summer Of Love \u2013 a concert in the decade\u2019s dying days performed by one its most iconic bands, playing in the middle of a dark, overcrowded wasteland. It was the counter-culture\u2019s dire final bow. The subsequent \u201970 Stones&#8217; documentary <em>Gimme Shelter<\/em>, covers the last 10 days of the tour in all its stark terrible glory. Cameraman Eric Saarinen had captured the murder of Meredith Hunter on film and the editor Charlotte Zwerin afforded the footage an appropriately grievous narrative, weighting the latter parts with the worst of the violence and ending with the killing. Writer Micheal Sragow describes the harrowing context as &#8220;&#8230;giving the deadly scene an apocalyptic stature&#8230; it&#8217;s part of a colossal, mass bad trip&#8221;. When we finally see Hunter\u2019s death it arrives like a full stop. It\u2019s both a terrible human tragedy and a potent symbol for the sudden overturning of the values the \u201960s held high \u2013 pacifism, idealism, peaceful revolution. With its bikers and its sinister atmosphere, <em>Gimme Shelter<\/em> seems more like any number of late \u201960s hippy exploitation grindhouse movies than other music documentaries of the era such as <em>Woodstock\u00a0<\/em>or <em>Monterey Pop<\/em>. It also carries striking similarities to Kenneth Anger\u2019s short film <em>Invocation Of My Demon Brother<\/em> from the same year, and when viewed with Anger\u2019s film, it starts to seem like they didn\u2019t record an unpredictable event at all but something much more intentional \u2013 the activation of a magical incantation.<\/p>\n<p><a href=\"https:\/\/tsptr.com\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-5295 size-full\" src=\"https:\/\/www.shindig-magazine.com\/wp-content\/uploads\/2022\/03\/smallerTSPTR-23-06-21-052.jpg\" alt=\"\" width=\"1417\" height=\"1001\" srcset=\"https:\/\/shindig-magazine.com\/wp-content\/uploads\/2022\/03\/smallerTSPTR-23-06-21-052.jpg 1417w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2022\/03\/smallerTSPTR-23-06-21-052-300x212.jpg 300w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2022\/03\/smallerTSPTR-23-06-21-052-1024x723.jpg 1024w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2022\/03\/smallerTSPTR-23-06-21-052-768x543.jpg 768w\" sizes=\"auto, (max-width: 1417px) 100vw, 1417px\" \/><br \/>\n<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<span class=\"synved-social-container synved-social-container-share\"><a class=\"synved-social-button synved-social-button-share synved-social-size-24 synved-social-resolution-single synved-social-provider-facebook nolightbox\" data-provider=\"facebook\" target=\"_blank\" rel=\"nofollow\" title=\"Share on Facebook\" href=\"http:\/\/www.facebook.com\/sharer.php?u=https%3A%2F%2Fshindig-magazine.com%2Findex.php%3Frest_route%3D%252Fwp%252Fv2%252Fposts%252F5294&#038;t=Altamont%3A%20Dark%20Rituals%E2%80%93%20Counter-Cultural%20musings%20from%20TSPTR.%20Dossier%20%238&#038;s=100&#038;p&#091;url&#093;=https%3A%2F%2Fshindig-magazine.com%2Findex.php%3Frest_route%3D%252Fwp%252Fv2%252Fposts%252F5294&#038;p&#091;images&#093;&#091;0&#093;=https%3A%2F%2Fshindig-magazine.com%2Fwp-content%2Fuploads%2F2022%2F03%2F6465286069_ddbd089485-1.jpeg&#038;p&#091;title&#093;=Altamont%3A%20Dark%20Rituals%E2%80%93%20Counter-Cultural%20musings%20from%20TSPTR.%20Dossier%20%238\" style=\"font-size: 0px;width:24px;height:24px;margin:0;margin-bottom:5px;margin-right:5px\"><img loading=\"lazy\" decoding=\"async\" alt=\"Facebook\" title=\"Share on Facebook\" class=\"synved-share-image synved-social-image synved-social-image-share\" width=\"24\" height=\"24\" style=\"display: inline;width:24px;height:24px;margin: 0;padding: 0;border: none;box-shadow: none\" src=\"https:\/\/shindig-magazine.com\/wp-content\/plugins\/social-media-feather\/synved-social\/image\/social\/regular\/48x48\/facebook.png\" \/><\/a><a class=\"synved-social-button synved-social-button-share synved-social-size-24 synved-social-resolution-single synved-social-provider-twitter nolightbox\" data-provider=\"twitter\" target=\"_blank\" rel=\"nofollow\" title=\"Share on Twitter\" href=\"http:\/\/twitter.com\/share?url=https%3A%2F%2Fshindig-magazine.com%2Findex.php%3Frest_route%3D%252Fwp%252Fv2%252Fposts%252F5294&#038;text=New%20post%20on%20our%20site\" style=\"font-size: 0px;width:24px;height:24px;margin:0;margin-bottom:5px;margin-right:5px\"><img loading=\"lazy\" decoding=\"async\" alt=\"twitter\" title=\"Share on Twitter\" class=\"synved-share-image synved-social-image synved-social-image-share\" width=\"24\" height=\"24\" style=\"display: inline;width:24px;height:24px;margin: 0;padding: 0;border: none;box-shadow: none\" src=\"https:\/\/shindig-magazine.com\/wp-content\/plugins\/social-media-feather\/synved-social\/image\/social\/regular\/48x48\/twitter.png\" \/><\/a><a class=\"synved-social-button synved-social-button-share synved-social-size-24 synved-social-resolution-single synved-social-provider-mail nolightbox\" data-provider=\"mail\" rel=\"nofollow\" title=\"Share by email\" href=\"mailto:?subject=Altamont%3A%20Dark%20Rituals%E2%80%93%20Counter-Cultural%20musings%20from%20TSPTR.%20Dossier%20%238&#038;body=New%20post%20on%20our%20site:%20https%3A%2F%2Fshindig-magazine.com%2Findex.php%3Frest_route%3D%252Fwp%252Fv2%252Fposts%252F5294\" style=\"font-size: 0px;width:24px;height:24px;margin:0;margin-bottom:5px;margin-right:5px\"><img loading=\"lazy\" decoding=\"async\" alt=\"mail\" title=\"Share by email\" class=\"synved-share-image synved-social-image synved-social-image-share\" width=\"24\" height=\"24\" style=\"display: inline;width:24px;height:24px;margin: 0;padding: 0;border: none;box-shadow: none\" src=\"https:\/\/shindig-magazine.com\/wp-content\/plugins\/social-media-feather\/synved-social\/image\/social\/regular\/48x48\/mail.png\" \/><\/a><\/span>","protected":false},"excerpt":{"rendered":"<p>In the eighth of our monthly counter-cultural musings from\u00a0TSPTR, darkness at the end of the \u201960s The problem with invocations is that they have a habit of working. They are particularly potent when made at points of critical mass, when others are calling similar forces from the ether. Throughout 1969 the air in California was [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":5297,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[28,7],"tags":[998],"class_list":["post-5294","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-features","category-music-videos","tag-altamont","post_format-post-format-video"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/shindig-magazine.com\/index.php?rest_route=\/wp\/v2\/posts\/5294","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/shindig-magazine.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/shindig-magazine.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/shindig-magazine.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/shindig-magazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5294"}],"version-history":[{"count":-1,"href":"https:\/\/shindig-magazine.com\/index.php?rest_route=\/wp\/v2\/posts\/5294\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/shindig-magazine.com\/index.php?rest_route=\/wp\/v2\/media\/5297"}],"wp:attachment":[{"href":"https:\/\/shindig-magazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5294"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/shindig-magazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5294"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/shindig-magazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5294"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}