{"id":5383,"date":"2022-05-19T11:47:34","date_gmt":"2022-05-19T10:47:34","guid":{"rendered":"https:\/\/www.shindig-magazine.com\/?p=5383"},"modified":"2022-05-19T11:47:34","modified_gmt":"2022-05-19T10:47:34","slug":"francoise-hardy-what-is-la-question","status":"publish","type":"post","link":"https:\/\/shindig-magazine.com\/?p=5383","title":{"rendered":"Fran\u00e7oise Hardy: What is La Question?"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-5384 size-full\" src=\"https:\/\/www.shindig-magazine.com\/wp-content\/uploads\/2022\/05\/Fran-2022-05-19-at-10.45.13-copy.png\" alt=\"\" width=\"1560\" height=\"1112\" srcset=\"https:\/\/shindig-magazine.com\/wp-content\/uploads\/2022\/05\/Fran-2022-05-19-at-10.45.13-copy.png 1560w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2022\/05\/Fran-2022-05-19-at-10.45.13-copy-300x214.png 300w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2022\/05\/Fran-2022-05-19-at-10.45.13-copy-1024x730.png 1024w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2022\/05\/Fran-2022-05-19-at-10.45.13-copy-768x547.png 768w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2022\/05\/Fran-2022-05-19-at-10.45.13-copy-1536x1095.png 1536w\" sizes=\"auto, (max-width: 1560px) 100vw, 1560px\" \/><\/p>\n<p>In 1970 Fran\u00e7oise Hardy teamed up with expatriate English duo, guitarist Micky Jones and\u00a0drummer Tommy Brown (musical\u00a0lieutenants to Johnny Hallyday since \u201966),\u00a0resulting in a new, rockier direction. The\u00a0pair had already worked with Hardy on\u00a0<em>One-Nine-Seven-Zero<\/em> and the new album\u00a0(untitled but known these days as <em>Soleil<\/em>)\u00a0reworked some of the songs from that LPwith new French lyrics. Hardy also added\u00a0newer tunes penned by the post-68\u00a0generation, among them Bernard Ilous\u00a0and Johnny Rech (\u2018Effeuille-moi le coeur\u2019)\u00a0and \u00c9tienne Roda-Gil ( Julien Clerc\u2019s\u00a0lyricist) and producer Bernard Estardy (\u2018Le\u00a0crabe\u2019). The album sold well, generating\u00a0two hits with \u2018Soleil\u2019 (Sandy Alpert\u2019s\u00a0\u2018Sunshine\u2019) and \u2018Point\u2019, but Hardy\u00a0remained restless, seeking something new\u00a0to fire her imagination.<\/p>\n<p>The answer came from an unexpected\u00a0direction. Disenchanted with pop stardom\u00a0and with her relationship with Dutronc\u00a0entering stormy waters (not for the last\u00a0time, although they would stay together,\u00a0marrying in \u201981), Hardy journeyed to\u00a0Brazil to serve as a judge in a Rio de\u00a0Janeiro song contest. Long interested in\u00a0Brazilian music (there had been a cover of\u00a0Chico Buarque\u2019s\u00a0\u2018Sabi\u00e1\u2019 (\u2018La m\u00e9sange\u2019)\u00a0on Comment te dire\u00a0adieu), on her return\u00a0she approached a\u00a0Brazilian musician\u00a0living in Paris with a\u00a0view to collaborating on\u00a0a new album. Valeniza\u00a0Zagni da Silva,\u00a0generally known as\u00a0Tuca, had met Hardy\u00a0via a mutual friend a\u00a0few months earlier.\u00a0Hardy had been\u00a0particularly taken by\u00a0\u2018M\u00eame sous la pluie\u2019, a\u00a0moving song that Tuca\u00a0had co-written with\u00a0lyricist Bob du Pac, and\u00a0she envisaged a whole set\u00a0of songs constructed on\u00a0similar lines. The song had\u00a0been earmarked for\u00a0another artist but Tuca\u00a0eventually agreed to\u00a0give it to Hardy and\u00a0work began early in \u201971\u00a0on what would become\u00a0<i>La question<\/i>.<\/p>\n<p><iframe loading=\"lazy\" title=\"Fran\u00e7oise Hardy - Viens 1972\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/jjs9x_eoNNo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>Aside from \u2018R\u00eave\u2019, adapted from Brazilian\u00a0singer Taiguara\u2019s \u2018A\u00a0transa\u2019, and the self-penned\u00a0\u2018Doigts\u2019, all of\u00a0the tunes were\u00a0composed by Tuca,\u00a0although Hardy was determined not to\u00a0make a \u201ctypically Brazilian\u201d album. As a\u00a0result, while drawing on Brazilian sources,\u00a0the songs sounded nothing like the bossa\u00a0nova hits that had reverberated across the\u00a0globe during the \u201960s but instead took on\u00a0an identity entirely their own. Lyrics were\u00a0added by Hardy or by trusted\u00a0professionals and while throughout her\u00a0career, Hardy usually tended to favour\u00a0simple words rather than the elaborate\u00a0poetry of la chanson fran\u00e7aise, this time the\u00a0lyrical content was truly remarkable, as\u00a0exemplified by the poignant \u201c\u2026avec toi,\u00a0je ne suis plus que perdante ou bienbperdue\u2026\u201d (\u201c\u2026with you, I am either lost\u00a0or a loser\u2026\u201d) from \u2018Oui, je dis adieu\u2019, one\u00a0of five songs to feature Hardy\u2019s own\u00a0lyrics. Despite the multiplicity of\u00a0wordsmiths (there are five lyricists\u00a0credited on the sleeve), the album pulled\u00a0together as a whole, perfectly capturing\u00a0the troubled personal circumstances of\u00a0both singer and composer \u2013 in addition to\u00a0Hardy\u2019s travails, Tuca was herself in the\u00a0grip of unrequited love at the time.<\/p>\n<p><iframe loading=\"lazy\" title=\"Fran\u00e7oise Hardy - Le martien (1971)\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/yrW-ymEqzrk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>Accustomed to adding her voice to prerecorded tracks in the studio, this time\u00a0Hardy found herself put through endless\u00a0rehearsals, working up the songs with\u00a0Tuca one after the other until they had\u00a0them note perfect. As Hardy recalled in\u00a0her 2008 autobiography, <i>Le d\u00e9sespoir des\u00a0singes\u2026 et autres bagatelles<\/i>, \u201cFor a month,\u00a0(Tuca) came every day to Rue Saint-Louis-en-l\u2019Isle to make me rehearse the\u00a0songs, one by one. (As a result) I arrived at\u00a0CBE (studio) without needing to note, as\u00a0I usually did, the exact number of beats\u00a0between the words\u2026 because I could find\u00a0my bearings in the guitar accompaniment\u00a0that the rehearsals had helped me to\u00a0memorise.\u201d Accompanied only by Tuca\u00a0on guitar and Guy Pedersen on double\u00a0bass (occasionally replaced by Francis\u00a0Moze on electric bass), Hardy recorded\u00a0her vocals alongside the two musicians, as\u00a0if performing in a club. They were so well\u00a0rehearsed that nothing required more than\u00a0three takes, yet the results were\u00a0impeccable: beautifully played, sung with\u00a0perfect timing and sustaining a quiet,\u00a0intimate mood that drew listeners closer\u00a0on every hearing.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-5386 alignleft\" src=\"https:\/\/www.shindig-magazine.com\/wp-content\/uploads\/2022\/05\/Screenshot-2022-05-19-at-10.41.14-213x300.png\" alt=\"\" width=\"213\" height=\"300\" srcset=\"https:\/\/shindig-magazine.com\/wp-content\/uploads\/2022\/05\/Screenshot-2022-05-19-at-10.41.14-213x300.png 213w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2022\/05\/Screenshot-2022-05-19-at-10.41.14-726x1024.png 726w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2022\/05\/Screenshot-2022-05-19-at-10.41.14-768x1083.png 768w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2022\/05\/Screenshot-2022-05-19-at-10.41.14.png 1020w\" sizes=\"auto, (max-width: 213px) 100vw, 213px\" \/><\/p>\n<p><i>Extracted from the article in<strong> <a href=\"https:\/\/www.silverbackpublishing.rocks\/product\/shindig-issue-127-pre-order-on-sale-5th-may-2022\/\">issue #90<\/a><\/strong>. Order now to read the full feature.<\/i><\/p>\n<p>Subscribe to <i>Shindig!<\/i>\u00a0<a href=\"https:\/\/www.silverbackpublishing.rocks\/product\/subscription\/\">here<\/a> to read many more articles like this in our 100 page monthly print magazine<\/p>\n<span class=\"synved-social-container synved-social-container-share\"><a class=\"synved-social-button synved-social-button-share synved-social-size-24 synved-social-resolution-single synved-social-provider-facebook nolightbox\" data-provider=\"facebook\" target=\"_blank\" rel=\"nofollow\" title=\"Share on Facebook\" href=\"http:\/\/www.facebook.com\/sharer.php?u=https%3A%2F%2Fshindig-magazine.com%2Findex.php%3Frest_route%3D%252Fwp%252Fv2%252Fposts%252F5383&#038;t=Fran%C3%A7oise%20Hardy%3A%20What%20is%20La%20Question%3F&#038;s=100&#038;p&#091;url&#093;=https%3A%2F%2Fshindig-magazine.com%2Findex.php%3Frest_route%3D%252Fwp%252Fv2%252Fposts%252F5383&#038;p&#091;images&#093;&#091;0&#093;=https%3A%2F%2Fshindig-magazine.com%2Fwp-content%2Fuploads%2F2022%2F05%2FLa_question.png&#038;p&#091;title&#093;=Fran%C3%A7oise%20Hardy%3A%20What%20is%20La%20Question%3F\" style=\"font-size: 0px;width:24px;height:24px;margin:0;margin-bottom:5px;margin-right:5px\"><img loading=\"lazy\" decoding=\"async\" alt=\"Facebook\" title=\"Share on Facebook\" class=\"synved-share-image synved-social-image synved-social-image-share\" width=\"24\" height=\"24\" style=\"display: inline;width:24px;height:24px;margin: 0;padding: 0;border: none;box-shadow: none\" src=\"https:\/\/shindig-magazine.com\/wp-content\/plugins\/social-media-feather\/synved-social\/image\/social\/regular\/48x48\/facebook.png\" \/><\/a><a class=\"synved-social-button synved-social-button-share synved-social-size-24 synved-social-resolution-single synved-social-provider-twitter nolightbox\" data-provider=\"twitter\" target=\"_blank\" rel=\"nofollow\" title=\"Share on Twitter\" href=\"http:\/\/twitter.com\/share?url=https%3A%2F%2Fshindig-magazine.com%2Findex.php%3Frest_route%3D%252Fwp%252Fv2%252Fposts%252F5383&#038;text=New%20post%20on%20our%20site\" style=\"font-size: 0px;width:24px;height:24px;margin:0;margin-bottom:5px;margin-right:5px\"><img loading=\"lazy\" decoding=\"async\" alt=\"twitter\" title=\"Share on Twitter\" class=\"synved-share-image synved-social-image synved-social-image-share\" width=\"24\" height=\"24\" style=\"display: inline;width:24px;height:24px;margin: 0;padding: 0;border: none;box-shadow: none\" src=\"https:\/\/shindig-magazine.com\/wp-content\/plugins\/social-media-feather\/synved-social\/image\/social\/regular\/48x48\/twitter.png\" \/><\/a><a class=\"synved-social-button synved-social-button-share synved-social-size-24 synved-social-resolution-single synved-social-provider-mail nolightbox\" data-provider=\"mail\" rel=\"nofollow\" title=\"Share by email\" href=\"mailto:?subject=Fran%C3%A7oise%20Hardy%3A%20What%20is%20La%20Question%3F&#038;body=New%20post%20on%20our%20site:%20https%3A%2F%2Fshindig-magazine.com%2Findex.php%3Frest_route%3D%252Fwp%252Fv2%252Fposts%252F5383\" style=\"font-size: 0px;width:24px;height:24px;margin:0;margin-bottom:5px;margin-right:5px\"><img loading=\"lazy\" decoding=\"async\" alt=\"mail\" title=\"Share by email\" class=\"synved-share-image synved-social-image synved-social-image-share\" width=\"24\" height=\"24\" style=\"display: inline;width:24px;height:24px;margin: 0;padding: 0;border: none;box-shadow: none\" src=\"https:\/\/shindig-magazine.com\/wp-content\/plugins\/social-media-feather\/synved-social\/image\/social\/regular\/48x48\/mail.png\" \/><\/a><\/span>","protected":false},"excerpt":{"rendered":"<p>In 1970 Fran\u00e7oise Hardy teamed up with expatriate English duo, guitarist Micky Jones and\u00a0drummer Tommy Brown (musical\u00a0lieutenants to Johnny Hallyday since \u201966),\u00a0resulting in a new, rockier direction. The\u00a0pair had already worked with Hardy on\u00a0One-Nine-Seven-Zero and the new album\u00a0(untitled but known these days as Soleil)\u00a0reworked some of the songs from that LPwith new French lyrics. Hardy [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":5385,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[28,1009,7],"tags":[867,186,1016,1015],"class_list":["post-5383","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-features","category-magazine","category-music-videos","tag-867","tag-francoise-hardy","tag-issue-90","tag-la-question","post_format-post-format-video"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/shindig-magazine.com\/index.php?rest_route=\/wp\/v2\/posts\/5383","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/shindig-magazine.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/shindig-magazine.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/shindig-magazine.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/shindig-magazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5383"}],"version-history":[{"count":-4,"href":"https:\/\/shindig-magazine.com\/index.php?rest_route=\/wp\/v2\/posts\/5383\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/shindig-magazine.com\/index.php?rest_route=\/wp\/v2\/media\/5385"}],"wp:attachment":[{"href":"https:\/\/shindig-magazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5383"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/shindig-magazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5383"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/shindig-magazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5383"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}