{"id":5720,"date":"2022-09-28T14:31:16","date_gmt":"2022-09-28T13:31:16","guid":{"rendered":"https:\/\/www.shindig-magazine.com\/?p=5720"},"modified":"2022-09-28T14:38:17","modified_gmt":"2022-09-28T13:38:17","slug":"buffalo-springfield-looking-back","status":"publish","type":"post","link":"https:\/\/shindig-magazine.com\/?p=5720","title":{"rendered":"Buffalo Springfield \u2013 Looking back"},"content":{"rendered":"<p><strong>After rather exciting BUFFALO SPRINGFIELD acetates were discovered this summer, HARVEY KUBERNIK remembers this highly influential band. Buy <a href=\"https:\/\/www.silverbackpublishing.rocks\/product\/shindig-issue-81-published-05072018\/\">issue #81<\/a> for our epic cover story<\/strong><\/p>\n<hr \/>\n<figure id=\"attachment_5721\" aria-describedby=\"caption-attachment-5721\" style=\"width: 900px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-5721 size-full\" src=\"https:\/\/www.shindig-magazine.com\/wp-content\/uploads\/2022\/09\/17R-BuffaloSpringfieldThirdEye-Oct1966_2x3_300dpi.jpg\" alt=\"\" width=\"900\" height=\"614\" srcset=\"https:\/\/shindig-magazine.com\/wp-content\/uploads\/2022\/09\/17R-BuffaloSpringfieldThirdEye-Oct1966_2x3_300dpi.jpg 900w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2022\/09\/17R-BuffaloSpringfieldThirdEye-Oct1966_2x3_300dpi-300x205.jpg 300w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2022\/09\/17R-BuffaloSpringfieldThirdEye-Oct1966_2x3_300dpi-768x524.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><figcaption id=\"caption-attachment-5721\" class=\"wp-caption-text\">Henry Diltz<\/figcaption><\/figure>\n<p style=\"font-weight: 400;\">Before playing their final show on 5th May, 1968 at the Long Beach Sports Arena in Southern California, Buffalo Springfield released three studio albums on ATCO during an intense, two-year creative burst.<\/p>\n<p style=\"font-weight: 400;\">\u201cThe band was that first album and it was never captured again,\u201d states Buffalo Springfield co-founder, Richie Furay. \u201cThat album represented the five of us together in the studio. After that it started to fall apart. It got worse with the next two albums. There were a lot of people being used other than the five of us.<\/p>\n<p style=\"font-weight: 400;\">\u201cThere are songs and demos from guys who are part of your life, \u2018cause people make bands a part of their life. Then, there are those fans and collectors who can say, \u2018Wow! I can get another charge now, not just hearing \u2018For What It\u2019s Worth\u2019 for the 20th time.\u00a0 Or not just hearing a new mix of one of the songs. There\u2019s something new for me to grab on too<\/p>\n<p><iframe loading=\"lazy\" title=\"Buffalo Springfield-Retrospective [Full Album] 1969\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/l-49CDznROM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p style=\"font-weight: 400;\">\u201cWe were always comfortable singing someone else\u2019s song early on. The first album and some of the second, you can hear the cohesiveness was a group effort, there was not the possessiveness of \u2018This is my song, \u2018 \u2018This is my baby, \u2018I\u2019m singing it because I wrote it.\u2019\u00a0 Early on there was this \u2018Qhat does this sound like with you singing?\u2019 I know we tried \u2018Mr. Soul\u2019 with everybody singing and it sounded best with Neil. The individual members brought their own take on what was being presented to the song. We liked The Beatles with John and Paul singing harmony. Stephen and I did a lot of that unison singing. That we picked up from The Beatles but then there was a lot of experimentation.\u201d<\/p>\n<div>\n<figure id=\"attachment_5722\" aria-describedby=\"caption-attachment-5722\" style=\"width: 900px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-5722 size-full\" src=\"https:\/\/www.shindig-magazine.com\/wp-content\/uploads\/2022\/09\/119-6-BuffaloSpringfieldHwdBowlKHJ-April291967_4x6_300dpi_2x3_300dpi.jpg\" alt=\"\" width=\"900\" height=\"609\" srcset=\"https:\/\/shindig-magazine.com\/wp-content\/uploads\/2022\/09\/119-6-BuffaloSpringfieldHwdBowlKHJ-April291967_4x6_300dpi_2x3_300dpi.jpg 900w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2022\/09\/119-6-BuffaloSpringfieldHwdBowlKHJ-April291967_4x6_300dpi_2x3_300dpi-300x203.jpg 300w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2022\/09\/119-6-BuffaloSpringfieldHwdBowlKHJ-April291967_4x6_300dpi_2x3_300dpi-768x520.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><figcaption id=\"caption-attachment-5722\" class=\"wp-caption-text\">The Hollywood Bowl, 29th April 1967: Henry Diltz<\/figcaption><\/figure>\n<p style=\"font-weight: 400;\">Those albums \u00a0\u2013\u00a0<em>Buffalo Springfield, Buffalo Springfield Again,<\/em>\u00a0and\u00a0<em>Last Time Around<\/em>\u00a0\u2013 were remastered from the original analogue tapes under the auspices of Neil Young for the boxed set:\u00a0<em>What&#8217;s The Sound? The Complete Albums Collection.<\/em><\/p>\n<p style=\"font-weight: 400;\"><strong>Chris Darrow:<\/strong>\u00a0(Musician)<strong>:\u00a0<\/strong>By 1968, they had a number of hits with Still\u2019s \u2018Bluebird\u2019 and \u2018Rock And Roll Woman\u2019 and Neil Young\u2019s \u2018Mr. Soul,\u2019 as well as \u2018Expecting To Fly\u2019 and \u2018Broken Arrow.\u2019\u00a0 The band had some tension among the members, both personally and musically, and began to go in opposite directions.\u00a0 I went to their final concert at the Sports Arena in Long Beach. The set was long and intense and ended with a long 20 plus minute version of \u2018Bluebird.\u2019Country Joe &amp; The Fish and Canned Heat were also on the bill.<\/p>\n<p style=\"font-weight: 400;\"><strong>Rodney Bingenheimer\u00a0<\/strong>(Deejay): I went to Buffalo Springfield\u2019s last concert in Long Beach too. Neil was back in the band. I really liked drummer Dewey Martin and at the gig he dedicated \u2018Good Time Boy\u2019 to me. I was on the side of the stage and it was the best time I ever heard the group live. I was really sad when the band broke up. I was bummed out when I heard Buffalo Springfield was ending.<\/p>\n<p style=\"font-weight: 400;\"><strong>Rick Rosas:<\/strong>\u00a0(Musician) Mark Guerrero and I went. \u00a0It was pretty heavy. I was so young. It was really good. Some of the guitars were out of tune.<\/p>\n<p style=\"font-weight: 400;\"><strong>Mark Guerrero\u00a0<\/strong>(Musician): \u00a0It was a great show with one of its highlights being a hot version of \u2018Uno Mundo,\u2019 but it was sad to know it was the end of the road for the band.<\/p>\n<p style=\"font-weight: 400;\"><strong>Denny Bruce<\/strong>: (Record producer\/manager): Neil [Young], Jack [Nitzsche] and I had a limo. Jimmy Messina came home with us. His head down and crying, &#8220;I can\u2019t believe it\u2019s over.&#8221; It was a sense of relief for Neil. He was glad it was over.<\/p>\n<p style=\"font-weight: 400;\">I witnessed Buffalo Springfield live on stage during December 1966 at the Santa Monica Civic Auditorium and The Hollywood Bowl in April \u201967<\/p>\n<p style=\"font-weight: 400;\">Their three \u201966-68 albums were always debuted over the Southern California airwaves before the rest of the world discovered them.\u00a0 You really had to live in Hollywood then to further understand and comprehend the initial impact of these regionally-birthed discs and artwork design.\u00a0 Thankfully, I was there.<\/p>\n<figure id=\"attachment_5723\" aria-describedby=\"caption-attachment-5723\" style=\"width: 900px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-5723 size-full\" src=\"https:\/\/www.shindig-magazine.com\/wp-content\/uploads\/2022\/09\/14-BuffaloSpringfieldOutsideThirdEye-Oct1966_2x3_300dpi.jpg\" alt=\"\" width=\"900\" height=\"607\" srcset=\"https:\/\/shindig-magazine.com\/wp-content\/uploads\/2022\/09\/14-BuffaloSpringfieldOutsideThirdEye-Oct1966_2x3_300dpi.jpg 900w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2022\/09\/14-BuffaloSpringfieldOutsideThirdEye-Oct1966_2x3_300dpi-300x202.jpg 300w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2022\/09\/14-BuffaloSpringfieldOutsideThirdEye-Oct1966_2x3_300dpi-768x518.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><figcaption id=\"caption-attachment-5723\" class=\"wp-caption-text\">Outside The Third Eye, October 1966: Henry Diltz<\/figcaption><\/figure>\n<p style=\"font-weight: 400;\">On 30th\u00a0July, \u00a0\u201968<em>, Last Time Around<\/em>, a posthumous album by Buffalo Springfield materialised. Besides supplying bass on the LP, Jim Messina served as engineer and producer. He had earlier assisted Young in assembling &#8216;Broken Arrow&#8217; and engineered Stills\u2019 &#8216;Rock And Roll Woman&#8217; for\u00a0<em>Buffalo Springfield Again<\/em>.<\/p>\n<p style=\"font-weight: 400;\">By\u00a0<em>Last Time Around,<\/em>\u00a0Neil Young was faintly involved with the band and had apparently split their group scene for good. But not before providing &#8216;I Am a Child&#8217; and &#8216;On the Way Home&#8217;.<\/p>\n<p><iframe loading=\"lazy\" title=\"Buffalo Springfield Again Full album vinyl LP\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/lXJrepuv-Ec?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p style=\"font-weight: 400;\"><strong>Richie Furay:\u00a0<\/strong>Neil could not see himself as second fiddle. He couldn\u2019t and wouldn\u2019t see himself as just a member of the band, one of the five guys.<\/p>\n<p style=\"font-weight: 400;\">Pete Johnson in\u00a0<em>The Los Angeles Times\u00a0<\/em>praised the platter: \u201cWithin the Springfield were three of the best pop songwriters, singers, and guitarists to be found in any American rock group. I have never seen a group use three guitars as tastefully as they do, weaving a finely detailed fabric whose pattern never blurred from overlapping.\u201d<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-5722\" src=\"https:\/\/www.shindig-magazine.com\/wp-content\/uploads\/2022\/09\/119-6-BuffaloSpringfieldHwdBowlKHJ-April291967_4x6_300dpi_2x3_300dpi.jpg\" alt=\"\" width=\"900\" height=\"609\" srcset=\"https:\/\/shindig-magazine.com\/wp-content\/uploads\/2022\/09\/119-6-BuffaloSpringfieldHwdBowlKHJ-April291967_4x6_300dpi_2x3_300dpi.jpg 900w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2022\/09\/119-6-BuffaloSpringfieldHwdBowlKHJ-April291967_4x6_300dpi_2x3_300dpi-300x203.jpg 300w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2022\/09\/119-6-BuffaloSpringfieldHwdBowlKHJ-April291967_4x6_300dpi_2x3_300dpi-768x520.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/p>\n<\/div>\n<div class=\"\">\n<div class=\"elnk-inline-message-container\">\n<div class=\"\" dir=\"ltr\">\n<div class=\"elnk-inline-message-container\">\n<div class=\"\">\n<div class=\"\">\n<p style=\"font-weight: 400;\">Before playing their final show on 5th May, 1968 at the Long Beach Sports Arena in Southern California, Buffalo Springfield released three studio albums on ATCO during an intense, two-year creative burst.<\/p>\n<p style=\"font-weight: 400;\">\u201cThe band was that first album and it was never captured again,\u201d states Buffalo Springfield co-founder, Richie Furay. \u201cThat album represented the five of us together in the studio. After that it started to fall apart. It got worse with the next two albums. There were a lot of people being used other than the five of us.<\/p>\n<p style=\"font-weight: 400;\">\u201cThere are songs and demos from guys who are part of your life, \u2018cause people make bands a part of their life. Then, there are those fans and collectors who can say, \u2018Wow! I can get another charge now, not just hearing \u2018For What It\u2019s Worth\u2019 for the 20th time.\u00a0 Or not just hearing a new mix of one of the songs. There\u2019s something new for me to grab on too<\/p>\n<figure id=\"attachment_5727\" aria-describedby=\"caption-attachment-5727\" style=\"width: 900px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-5727 size-full\" src=\"https:\/\/www.shindig-magazine.com\/wp-content\/uploads\/2022\/09\/15-BuffaloSpringfieldHollywoodBowl-April291967_2x3_300dpi.jpg\" alt=\"\" width=\"900\" height=\"607\" srcset=\"https:\/\/shindig-magazine.com\/wp-content\/uploads\/2022\/09\/15-BuffaloSpringfieldHollywoodBowl-April291967_2x3_300dpi.jpg 900w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2022\/09\/15-BuffaloSpringfieldHollywoodBowl-April291967_2x3_300dpi-300x202.jpg 300w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2022\/09\/15-BuffaloSpringfieldHollywoodBowl-April291967_2x3_300dpi-768x518.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><figcaption id=\"caption-attachment-5727\" class=\"wp-caption-text\">The Hollywood Bowl, 29th April 1967: Henry Diltz<\/figcaption><\/figure>\n<p style=\"font-weight: 400;\">\u201cWe were always comfortable singing someone else\u2019s song early on. The first album and some of the second, you can hear the cohesiveness was a group effort, there was not the possessiveness of \u2018This is my song, \u2018 \u2018This is my baby, \u2018I\u2019m singing it because I wrote it.\u2019\u00a0 Early on there was this \u2018Qhat does this sound like with you singing?\u2019 I know we tried \u2018Mr. Soul\u2019 with everybody singing and it sounded best with Neil. The individual members brought their own take on what was being presented to the song. We liked The Beatles with John and Paul singing harmony. Stephen and I did a lot of that unison singing. That we picked up from The Beatles but then there was a lot of experimentation.\u201d<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-5726\" src=\"https:\/\/www.shindig-magazine.com\/wp-content\/uploads\/2022\/09\/Buffalo-Springfield-Again-Side-1-acetate-label-1968-1-1016x1024.jpg\" alt=\"\" width=\"640\" height=\"645\" srcset=\"https:\/\/shindig-magazine.com\/wp-content\/uploads\/2022\/09\/Buffalo-Springfield-Again-Side-1-acetate-label-1968-1-1016x1024.jpg 1016w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2022\/09\/Buffalo-Springfield-Again-Side-1-acetate-label-1968-1-298x300.jpg 298w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2022\/09\/Buffalo-Springfield-Again-Side-1-acetate-label-1968-1-150x150.jpg 150w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2022\/09\/Buffalo-Springfield-Again-Side-1-acetate-label-1968-1-768x774.jpg 768w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2022\/09\/Buffalo-Springfield-Again-Side-1-acetate-label-1968-1-24x24.jpg 24w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2022\/09\/Buffalo-Springfield-Again-Side-1-acetate-label-1968-1-48x48.jpg 48w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2022\/09\/Buffalo-Springfield-Again-Side-1-acetate-label-1968-1-96x96.jpg 96w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2022\/09\/Buffalo-Springfield-Again-Side-1-acetate-label-1968-1.jpg 1261w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/p>\n<p style=\"font-weight: 400;\">Barry Gifford from\u00a0<em>Rolling Stone\u00a0<\/em>hailed the album. \u201cThe most beautiful record they\u2019ve ever made. Too bad this isn\u2019t the first time around.\u201d Ellen Sander, writing in\u00a0<em>The New York Times<\/em>, observed, \u201cThe group has always manifested its multitude of talents in straightforward, professional songs, flavoured with lithe, sweet country sounds. They have made an art out of music that is unfailingly pleasant; no less moving for its tasteful, understated neatness. Their final album,\u00a0<em>Last Time Around<\/em>, is no exception. The entire album has a fresh, natural feeling about it, not unlike a soft summer rain.\u201d<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-5728\" src=\"https:\/\/www.shindig-magazine.com\/wp-content\/uploads\/2022\/09\/Buffalo-Springfield-Again-Side-2-acetate-label-1968-1-1022x1024.jpg\" alt=\"\" width=\"640\" height=\"641\" srcset=\"https:\/\/shindig-magazine.com\/wp-content\/uploads\/2022\/09\/Buffalo-Springfield-Again-Side-2-acetate-label-1968-1-1022x1024.jpg 1022w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2022\/09\/Buffalo-Springfield-Again-Side-2-acetate-label-1968-1-300x300.jpg 300w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2022\/09\/Buffalo-Springfield-Again-Side-2-acetate-label-1968-1-150x150.jpg 150w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2022\/09\/Buffalo-Springfield-Again-Side-2-acetate-label-1968-1-768x769.jpg 768w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2022\/09\/Buffalo-Springfield-Again-Side-2-acetate-label-1968-1-24x24.jpg 24w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2022\/09\/Buffalo-Springfield-Again-Side-2-acetate-label-1968-1-48x48.jpg 48w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2022\/09\/Buffalo-Springfield-Again-Side-2-acetate-label-1968-1-96x96.jpg 96w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2022\/09\/Buffalo-Springfield-Again-Side-2-acetate-label-1968-1.jpg 1299w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/p>\n<p style=\"font-weight: 400;\"><strong>Mark Guerrero<\/strong>: Buffalo Springfield\u2019s\u00a0<em>Last Time Around,<\/em>\u00a0was akin to the Beatles\u00a0<em>White Album<\/em>\u00a0in that it was recorded at a time the band was breaking up so many of the songs were not recorded as a band.\u00a0 It was like three solo artists coming in and doing their thing.\u00a0 However, it\u2019s still a really good album with some great songs.\u00a0 Neil Young\u2019s \u2018On the Way Home,\u2019 sung by Richie and the acoustic gem &#8216;I Am A Child&#8217;;\u00a0\u00a0 Steven Stills&#8217; bluesy \u2018Four Days Gone\u2019 in 3\/4 time, with his great piano accompaniment;, \u2018Questions\u2019one of my favourite Stills&#8217; songs, and \u00a0\u2018Pretty Girl Why\u2019, a \u00a0kind of Latin-jazz song with nice two-part harmony on the choruses; and \u2018Uno Mundo\u2019, a Latin-style song with full-blown Latin percussion that was later covered by the East LA band El Chicano.\u00a0 Richie Furay&#8217;s \u00a0\u2018It\u2019s So Hard To Wait&#8217; is beautiful.\u201d<\/p>\n<p style=\"font-weight: 400;\"><strong>James Cushing<\/strong>:\u00a0<em>On Last Time Around<\/em>, every song has that wonderful thing that the very best later Beatles songs have \u00a0\u2013 that sense that the musicians know all about many different musical traditions and are not hemmed in or limited by them, but who can use them in a joyous way to discover their own language. Country western, rock, samba, folk, it\u2019s all there.<\/p>\n<p style=\"font-weight: 400;\">Neil\u2019s \u2018I Am a Child\u2019 is spoken from the perspective of someone going back to and celebrating innocence, but he implies that he now lives in a world in which that innocence has been lost. His off-the-cuff poetry stresses the implication of a situation involving an &#8220;I&#8221; and a &#8220;you&#8221;, but we get\u00a0a sense of those characters through statements in\u00a0a monologue within a relationship, not through imagery.<\/p>\n<p style=\"font-weight: 400;\"><strong>Kirk Silsbee<\/strong>:\u00a0\u00a0The\u00a0<em>Last Time Around<\/em>\u00a0album was damn good. Stills&#8217; \u2018Pretty Girl Why\u2019 showed that the band was capable of being very effective while understating. \u00a0Sure, Buffalo Springfield could rock hard and play hard but \u2018Pretty Girl Why\u2019 points to a level of sophistication and subtlety that\u00a0was\u00a0just coming into rock at the time. Nobody had to yell and scream or show how many hot licks they could play in that song. In that regard, it was anticipating the better angels of the coming singer-songwriter genre.<\/p>\n<p style=\"font-weight: 400;\">Maybe Neil\u00a0didn\u2019t sanction that album but look he gave us \u2018On The Way Home&#8217;; that&#8217;s just a beautiful song. It was on rotation on our AM and the new FM radio\u00a0playlist \u00a0\u2013 years after the band was gone. \u00a0B. Mitchell Reed, in particular, implicitly positioned the Springfield as an important antecedent by programming tracks well into the early \u201970s, but in the context of Crosby, Stills &amp; Nash or\u00a0<em>After the\u00a0Goldrush<\/em>.<\/p>\n<p>https:\/\/www.youtube.com\/watch?v=hsuGBd4A6LM<\/p>\n<p style=\"font-weight: 400;\">\u00a0\u2018On The Way Home\u2019 is atypical of Neil because it\u2019s an optimistic song. And you don\u2019t get optimistic songs from Neil Young. He deals in dour self-immolation. And it\u2019s Richie\u00a0Furay\u00a0at his optimistic, celebratory best. That\u2019s as good as anything they ever did. At the same time you\u2019ve\u00a0got \u2018I Am a Child, something new as well. Yes, it\u2019s Neil indulging his obsessive self-examination, but he\u2019s also leveling a critique of the music industry and painting himself in a very vulnerable light. In that, it\u2019s a window into the future solo Neil Young: you hear similar sentiments on the first Neil Young album in \u2018Last Train To Tulsa\u2019. The lyrics on both tunes are from a supine point of view.<\/p>\n<p style=\"font-weight: 400;\">On the front cover of\u00a0<em>Last Time Around,\u00a0<\/em>Neil is looking away from the other group members, signifying his continual one-foot-in-and-one-foot-out status in the band.<\/p>\n<p style=\"font-weight: 400;\">Neil always asserted his individuality in the Springfield, and probably in his mind, it was time to go; I don\u2019t think he had any compunction or second thoughts.<\/p>\n<p style=\"font-weight: 400;\"><em>Last Time Around\u00a0<\/em>almost\u00a0sounded like a different band on every track. So I\u00a0didn\u2019t have the sense of great ride coming to an end so much as a great band splitting off into different directions.\u201d<\/p>\n<p style=\"font-weight: 400;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-5729\" src=\"https:\/\/www.shindig-magazine.com\/wp-content\/uploads\/2022\/09\/NYimage.jpg\" alt=\"\" width=\"350\" height=\"438\" srcset=\"https:\/\/shindig-magazine.com\/wp-content\/uploads\/2022\/09\/NYimage.jpg 640w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2022\/09\/NYimage-240x300.jpg 240w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<span class=\"synved-social-container synved-social-container-share\"><a class=\"synved-social-button synved-social-button-share synved-social-size-24 synved-social-resolution-single synved-social-provider-facebook nolightbox\" data-provider=\"facebook\" target=\"_blank\" rel=\"nofollow\" title=\"Share on Facebook\" href=\"http:\/\/www.facebook.com\/sharer.php?u=https%3A%2F%2Fshindig-magazine.com%2Findex.php%3Frest_route%3D%252Fwp%252Fv2%252Fposts%252F5720&#038;t=Buffalo%20Springfield%20%E2%80%93%20Looking%20back&#038;s=100&#038;p&#091;url&#093;=https%3A%2F%2Fshindig-magazine.com%2Findex.php%3Frest_route%3D%252Fwp%252Fv2%252Fposts%252F5720&#038;p&#091;images&#093;&#091;0&#093;=https%3A%2F%2Fshindig-magazine.com%2Fwp-content%2Fuploads%2F2022%2F09%2Fimage-1.jpg&#038;p&#091;title&#093;=Buffalo%20Springfield%20%E2%80%93%20Looking%20back\" style=\"font-size: 0px;width:24px;height:24px;margin:0;margin-bottom:5px;margin-right:5px\"><img loading=\"lazy\" decoding=\"async\" alt=\"Facebook\" title=\"Share on Facebook\" class=\"synved-share-image synved-social-image synved-social-image-share\" width=\"24\" height=\"24\" style=\"display: inline;width:24px;height:24px;margin: 0;padding: 0;border: none;box-shadow: none\" src=\"https:\/\/shindig-magazine.com\/wp-content\/plugins\/social-media-feather\/synved-social\/image\/social\/regular\/48x48\/facebook.png\" \/><\/a><a class=\"synved-social-button synved-social-button-share synved-social-size-24 synved-social-resolution-single synved-social-provider-twitter nolightbox\" data-provider=\"twitter\" target=\"_blank\" rel=\"nofollow\" title=\"Share on Twitter\" href=\"http:\/\/twitter.com\/share?url=https%3A%2F%2Fshindig-magazine.com%2Findex.php%3Frest_route%3D%252Fwp%252Fv2%252Fposts%252F5720&#038;text=New%20post%20on%20our%20site\" style=\"font-size: 0px;width:24px;height:24px;margin:0;margin-bottom:5px;margin-right:5px\"><img loading=\"lazy\" decoding=\"async\" alt=\"twitter\" title=\"Share on Twitter\" class=\"synved-share-image synved-social-image synved-social-image-share\" width=\"24\" height=\"24\" style=\"display: inline;width:24px;height:24px;margin: 0;padding: 0;border: none;box-shadow: none\" src=\"https:\/\/shindig-magazine.com\/wp-content\/plugins\/social-media-feather\/synved-social\/image\/social\/regular\/48x48\/twitter.png\" \/><\/a><a class=\"synved-social-button synved-social-button-share synved-social-size-24 synved-social-resolution-single synved-social-provider-mail nolightbox\" data-provider=\"mail\" rel=\"nofollow\" title=\"Share by email\" href=\"mailto:?subject=Buffalo%20Springfield%20%E2%80%93%20Looking%20back&#038;body=New%20post%20on%20our%20site:%20https%3A%2F%2Fshindig-magazine.com%2Findex.php%3Frest_route%3D%252Fwp%252Fv2%252Fposts%252F5720\" style=\"font-size: 0px;width:24px;height:24px;margin:0;margin-bottom:5px;margin-right:5px\"><img loading=\"lazy\" decoding=\"async\" alt=\"mail\" title=\"Share by email\" class=\"synved-share-image synved-social-image synved-social-image-share\" width=\"24\" height=\"24\" style=\"display: inline;width:24px;height:24px;margin: 0;padding: 0;border: none;box-shadow: none\" src=\"https:\/\/shindig-magazine.com\/wp-content\/plugins\/social-media-feather\/synved-social\/image\/social\/regular\/48x48\/mail.png\" \/><\/a><\/span>","protected":false},"excerpt":{"rendered":"<p>After rather exciting BUFFALO SPRINGFIELD acetates were discovered this summer, HARVEY KUBERNIK remembers this highly influential band. Buy issue #81 for our epic cover story Before playing their final show on 5th May, 1968 at the Long Beach Sports Arena in Southern California, Buffalo Springfield released three studio albums on ATCO during an intense, two-year [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":5730,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[28,7],"tags":[526],"class_list":["post-5720","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-features","category-music-videos","tag-buffalo-springfield","post_format-post-format-video"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/shindig-magazine.com\/index.php?rest_route=\/wp\/v2\/posts\/5720","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/shindig-magazine.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/shindig-magazine.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/shindig-magazine.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/shindig-magazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5720"}],"version-history":[{"count":-1,"href":"https:\/\/shindig-magazine.com\/index.php?rest_route=\/wp\/v2\/posts\/5720\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/shindig-magazine.com\/index.php?rest_route=\/wp\/v2\/media\/5730"}],"wp:attachment":[{"href":"https:\/\/shindig-magazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5720"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/shindig-magazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5720"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/shindig-magazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5720"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}