{"id":7057,"date":"2025-06-06T13:09:04","date_gmt":"2025-06-06T12:09:04","guid":{"rendered":"https:\/\/shindig-magazine.com\/?p=7057"},"modified":"2025-06-06T13:14:58","modified_gmt":"2025-06-06T12:14:58","slug":"issue-164-bert-jansch","status":"publish","type":"post","link":"https:\/\/shindig-magazine.com\/?p=7057","title":{"rendered":"Issue #164 \u2013 Bert Jansch"},"content":{"rendered":"<div>\n<p class=\"ydpf04d9c8paragraph\"><span class=\"ydpf04d9c8normaltextrun\"><b>BERT JANSCH<\/b><\/span><span class=\"ydpf04d9c8normaltextrun\"><b>\u00a0remains\u00a0one of the most influential guitarists\u00a0of all time, his intricate fingerpicking style much imitated but never bettered. He was a founder member of Pentangle, the jazz-folk \u201csupergroup\u201d that transformed the music scene at the end\u00a0of the \u201960s.<\/b><\/span><\/p>\n<\/div>\n<div>\n<p class=\"ydpf04d9c8paragraph\"><span class=\"ydpf04d9c8normaltextrun\"><b>JOHNNIE JOHNSTONE<\/b><\/span><span class=\"ydpf04d9c8normaltextrun\"><b> takes a deep dive into Jansch\u2019s solo \u201970s work \u2013 the period in which he would go on to make some of his most memorable music<\/b><\/span><span class=\"ydpf04d9c8eop\">\u00a0<\/span><\/p>\n<hr \/>\n<\/div>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-7058\" src=\"https:\/\/shindig-magazine.com\/wp-content\/uploads\/2025\/06\/Screenshot-2025-06-06-at-12.29.20-814x1024.png\" alt=\"\" width=\"450\" height=\"566\" srcset=\"https:\/\/shindig-magazine.com\/wp-content\/uploads\/2025\/06\/Screenshot-2025-06-06-at-12.29.20-814x1024.png 814w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2025\/06\/Screenshot-2025-06-06-at-12.29.20-239x300.png 239w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2025\/06\/Screenshot-2025-06-06-at-12.29.20-768x966.png 768w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2025\/06\/Screenshot-2025-06-06-at-12.29.20.png 1024w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><\/p>\n<div>\n<p class=\"ydpf04d9c8paragraph\"><span class=\"ydpf04d9c8normaltextrun\">Because of their success, over time the members of Pentangle had moved from the city into country homes in small rural parishes and by now were living at inconvenient distances from one another. John Renbourn was in Surrey and Jansch in the Sussex village of Ticehurst with his wife of three years, Heather Sewell. Sewell was more accustomed to country living and infinitely more suited to a life of domesticity than her wayfaring husband. For Jansch, the responsibilities involved in balancing his private and public lives made him ill at ease. He liked the country but could not do without the city. He missed the way things used to be, when he could just grab a few pints and chew the fat with friends across the road in the local. Jansch recalled this situation in\u00a0<i>Comstock Lode\u00a0<\/i>fanzine in 1979: \u201cMy bohemian existence stopped. [John and I] would often end up after a Pentangle concert at Waterloo station, waiting for our trains at a dossers\u2019 pub called The Hole In The Wall, which sold ale at a shilling a pint. We\u2019d invariably end up talking to these amazing tramps, missing our trains and staying all night.\u201d It was a situation Janch articulated eloquently on \u2018When I Get Home\u2019, one of his best contributions to <i>Reflection.<\/i><\/span><\/p>\n<p><iframe loading=\"lazy\" title=\"When I Get Home\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/R1w8QqnXpjU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<div>\n<p class=\"ydpf04d9c8paragraph\"><span class=\"ydpf04d9c8normaltextrun\">In contrast to\u00a0<i>Reflection<\/i>, Bert\u2019s solo outing from \u201971,\u00a0<i>Rosemary Lane, <\/i>sounds as fresh as the mountain stream, most vividly on opener \u2018Tell Me What Is True Love\u2019 with its\u00a0crystal-clear\u00a0picking, while songs like \u2018A Dream, A Dream, A Dream\u2019 recalled the stark majesty of his \u201965 debut.\u00a0Two compositions were\u00a0instrumentals. \u2018M\u2019Lady\u00a0Nancy\u2019 and \u2018Peregrinations\u2019 and\u00a0perfectly complemented his interpretations of \u2018Alman\u2019 by Robert Johnson (not the haunted blues guitarist, rather a lutenist from Tudor England) and the Italian baroque piece \u2018Sarabanda\u2019.\u00a0Jansch\u2019s biographer Colin Larkin reckons it the finest album of his\u00a0career. The music press was similarly positive, with Jerry Gilbert of\u00a0<i>Sounds<\/i>\u00a0lauding its \u201csublime tranquillity which is totally uncompromising\u201d. Around the same time as the album\u2019s release, Jansch undertook his first solo performance since the formation of Pentangle, on 30th June, \u201971\u00a0at The Royal Festival Hall. His nervy showing (the audio is available on Larkin\u2019s\u00a0<i>YouTube\u00a0<\/i>channel), followed a performance by a heavily pregnant Anne Briggs who had agreed to open the show. Briggs lived nearby to the Jansches and had become a close friend of Heather. After an absence from the public eye of around five or six years, she was by now an almost mythical figure in folk circles and on the verge of releasing her own \u201ccomeback\u201d album. Jansch was always an enigma himself, but Briggs\u2019 long-awaited appearance meant he was\u00a0probably upstaged.\u00a0<\/span><\/p>\n<p><iframe loading=\"lazy\" title=\"Tell Me What Is True Love (2015 Remaster)\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/d-x9kbLJKhw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>Click <a href=\"https:\/\/www.silverbackpublishing.rocks\/product\/shindig-164\/\">here<\/a> to order issue #164 and read the full article. Subscribe <a href=\"https:\/\/www.silverbackpublishing.rocks\/product\/unlock-the-world-of-shindig-subscribe-today-and-access-every-issue-ever-published\/\">here<\/a>.<\/p>\n<\/div>\n<span class=\"synved-social-container synved-social-container-share\"><a class=\"synved-social-button synved-social-button-share synved-social-size-24 synved-social-resolution-single synved-social-provider-facebook nolightbox\" data-provider=\"facebook\" target=\"_blank\" rel=\"nofollow\" title=\"Share on Facebook\" href=\"http:\/\/www.facebook.com\/sharer.php?u=https%3A%2F%2Fshindig-magazine.com%2Findex.php%3Frest_route%3D%252Fwp%252Fv2%252Fposts%252F7057&#038;t=Issue%20%23164%20%E2%80%93%20Bert%20Jansch&#038;s=100&#038;p&#091;url&#093;=https%3A%2F%2Fshindig-magazine.com%2Findex.php%3Frest_route%3D%252Fwp%252Fv2%252Fposts%252F7057&#038;p&#091;images&#093;&#091;0&#093;=https%3A%2F%2Fshindig-magazine.com%2Fwp-content%2Fuploads%2F2025%2F06%2FScreenshot-2025-06-06-at-13.11.14.png&#038;p&#091;title&#093;=Issue%20%23164%20%E2%80%93%20Bert%20Jansch\" style=\"font-size: 0px;width:24px;height:24px;margin:0;margin-bottom:5px;margin-right:5px\"><img loading=\"lazy\" decoding=\"async\" alt=\"Facebook\" title=\"Share on Facebook\" class=\"synved-share-image synved-social-image synved-social-image-share\" width=\"24\" height=\"24\" style=\"display: inline;width:24px;height:24px;margin: 0;padding: 0;border: none;box-shadow: none\" src=\"https:\/\/shindig-magazine.com\/wp-content\/plugins\/social-media-feather\/synved-social\/image\/social\/regular\/48x48\/facebook.png\" \/><\/a><a class=\"synved-social-button synved-social-button-share synved-social-size-24 synved-social-resolution-single synved-social-provider-twitter nolightbox\" data-provider=\"twitter\" target=\"_blank\" rel=\"nofollow\" title=\"Share on Twitter\" href=\"http:\/\/twitter.com\/share?url=https%3A%2F%2Fshindig-magazine.com%2Findex.php%3Frest_route%3D%252Fwp%252Fv2%252Fposts%252F7057&#038;text=New%20post%20on%20our%20site\" style=\"font-size: 0px;width:24px;height:24px;margin:0;margin-bottom:5px;margin-right:5px\"><img loading=\"lazy\" decoding=\"async\" alt=\"twitter\" title=\"Share on Twitter\" class=\"synved-share-image synved-social-image synved-social-image-share\" width=\"24\" height=\"24\" style=\"display: inline;width:24px;height:24px;margin: 0;padding: 0;border: none;box-shadow: none\" src=\"https:\/\/shindig-magazine.com\/wp-content\/plugins\/social-media-feather\/synved-social\/image\/social\/regular\/48x48\/twitter.png\" \/><\/a><a class=\"synved-social-button synved-social-button-share synved-social-size-24 synved-social-resolution-single synved-social-provider-mail nolightbox\" data-provider=\"mail\" rel=\"nofollow\" title=\"Share by email\" href=\"mailto:?subject=Issue%20%23164%20%E2%80%93%20Bert%20Jansch&#038;body=New%20post%20on%20our%20site:%20https%3A%2F%2Fshindig-magazine.com%2Findex.php%3Frest_route%3D%252Fwp%252Fv2%252Fposts%252F7057\" style=\"font-size: 0px;width:24px;height:24px;margin:0;margin-bottom:5px;margin-right:5px\"><img loading=\"lazy\" decoding=\"async\" alt=\"mail\" title=\"Share by email\" class=\"synved-share-image synved-social-image synved-social-image-share\" width=\"24\" height=\"24\" style=\"display: inline;width:24px;height:24px;margin: 0;padding: 0;border: none;box-shadow: none\" src=\"https:\/\/shindig-magazine.com\/wp-content\/plugins\/social-media-feather\/synved-social\/image\/social\/regular\/48x48\/mail.png\" \/><\/a><\/span>","protected":false},"excerpt":{"rendered":"<p>BERT JANSCH\u00a0remains\u00a0one of the most influential guitarists\u00a0of all time, his intricate fingerpicking style much imitated but never bettered. He was a founder member of Pentangle, the jazz-folk \u201csupergroup\u201d that transformed the music scene at the end\u00a0of the \u201960s. JOHNNIE JOHNSTONE takes a deep dive into Jansch\u2019s solo \u201970s work \u2013 the period in which he [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":7061,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[1009,7],"tags":[1200],"class_list":["post-7057","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-magazine","category-music-videos","tag-bert-jansch","post_format-post-format-video"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/shindig-magazine.com\/index.php?rest_route=\/wp\/v2\/posts\/7057","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/shindig-magazine.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/shindig-magazine.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/shindig-magazine.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/shindig-magazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7057"}],"version-history":[{"count":-4,"href":"https:\/\/shindig-magazine.com\/index.php?rest_route=\/wp\/v2\/posts\/7057\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/shindig-magazine.com\/index.php?rest_route=\/wp\/v2\/media\/7061"}],"wp:attachment":[{"href":"https:\/\/shindig-magazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7057"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/shindig-magazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7057"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/shindig-magazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7057"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}