{"id":7470,"date":"2026-01-30T17:36:04","date_gmt":"2026-01-30T17:36:04","guid":{"rendered":"https:\/\/shindig-magazine.com\/?p=7470"},"modified":"2026-01-30T20:05:42","modified_gmt":"2026-01-30T20:05:42","slug":"issue-172-moody-blues","status":"publish","type":"post","link":"https:\/\/shindig-magazine.com\/?p=7470","title":{"rendered":"Issue #172 &#8211; The Moody Blues"},"content":{"rendered":"<p style=\"font-weight: 400;\"><strong>A day under three years separated THE MOODY BLUES\u2019 \u2018Go Now!\u2019 topping the UK charts and<em> Days Of Future Passed <\/em>entering them. During that time, they underwent the most prolonged, tortured evolution of all the British groups that traded beat and blues for psychedelia. It took so long that that the peak of their Denny Laine-led fame and the dawn of their psych-prog pomp neatly bookend the 1965-67 golden era of British music \u2013 an era they spent exiled in pop\u2019s hinterlands. <\/strong><\/p>\n<p style=\"font-weight: 400;\"><strong>SHAUN HAND<\/strong><strong> untangles the true story of the Moodies\u2019 \u201960s metamorphosis<\/strong><\/p>\n<hr \/>\n<p style=\"font-weight: 400;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-7471\" src=\"https:\/\/shindig-magazine.com\/wp-content\/uploads\/2026\/01\/SD172.jpeg\" alt=\"\" width=\"1250\" height=\"723\" srcset=\"https:\/\/shindig-magazine.com\/wp-content\/uploads\/2026\/01\/SD172.jpeg 1250w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2026\/01\/SD172-300x174.jpeg 300w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2026\/01\/SD172-1024x592.jpeg 1024w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2026\/01\/SD172-768x444.jpeg 768w\" sizes=\"auto, (max-width: 1250px) 100vw, 1250px\" \/><\/p>\n<p style=\"font-weight: 400;\">As 1967 dawned, hopes of a fresh start were dashed when Decca, looking to recoup losses, issued two Laine-era recordings, \u2018Life\u2019s Not Life\u2019 and \u2018He Can Win\u2019, on 45. It wasn\u2019t a bad single on its own terms, but against the tougher contemporary likes of, say, The Move\u2019s \u2018Night Of Fear\u2019 and The Spencer Davis Group\u2019s \u2018I\u2019m A Man\u2019, it sounded quaint (or, if you believe <em>The <\/em><em>Evening Standard<\/em>\u2019s review, \u201clike an Oriental Beach Boys\u201d).<\/p>\n<p style=\"font-weight: 400;\">One of many myths to grow up in Moody Blues lore states that, by March 1967, the group had been reduced to performing cabaret for a 10th of the fee they\u2019d commanded just 18 months earlier. They hit rock bottom when they were confronted by an angry punter backstage in Stockton-on-Tees (there\u2019s that town again) who told them they were the worst band he\u2019d ever seen, reducing Hayward and Thomas to tears. On the drive home, they resolved to quit cabaret, ditch the suits and cover versions and follow their hearts; lo, the stars aligned and <em>Days Of Future Passed <\/em>soon emerged.<\/p>\n<p><iframe loading=\"lazy\" title=\"THE MOODY BLUES -FLY ME HIGH-LIVE FRENCH TV-1967\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/V_GDcGnaCfM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p style=\"font-weight: 400;\">Except it didn\u2019t happen like that. It\u2019s a great story, but the timeline is far less linear \u2013 and multiple retellings have pulled the tangled truth into a permanent knot. The Moodies certainly spent the early part of the year gigging, mainly around the West Midlands (a ballroom at Dudley Zoo, an Easter \u201crave\u201d at a golf club), but there\u2019s no record of them playing in Stockton at that time. And even if they did, they were only now embarking on their descent into the scampi-and-cigar-smoke horrors of cabaret.<\/p>\n<p style=\"font-weight: 400;\">The first recorded fruits of the new line-up\u2019s labours came in late April when Decca released \u2018Fly Me High\u2019. Produced by Tony Clarke, who would be with them for the next 11 years, it was the sprightliest thing they\u2019d released in ages (Slade later covered it on their debut album). They performed it for BBC\u2019s <em>Saturday Club <\/em>and reviewers dutifully penned variations on \u201cIt should return them to the hit parade,\u201d but it didn\u2019t.<\/p>\n<p style=\"font-weight: 400;\">On 26th May, <em>Sgt Pepper <\/em>hit the shops. The following evening, the Moodies began a three-night stint at The Princess Theatre in Torquay, in the first half of a variety show headlined by Lonnie Donegan. Their brief set still included \u2018Go Now!\u2019. If one moment encapsulated the band\u2019s distance from their Fab touring mates, from the whole counterculture zeitgeist, it was that weekend. It\u2019s tempting, if voyeuristic, to imagine them huddled round a Dansette in their hotel, hearing the album for the first time. Swinging London must have felt way, way behind them.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/widget.qobuz.com\/album\/0060256710336?zone=GB-en\" width=\"378\" height=\"390\">Your browser does not support iframes.&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><\/iframe><\/p>\n<p>To read the whole story order issue #172 <a href=\"https:\/\/www.silverbackpublishing.rocks\/product\/shindig-172\/\">here<\/a>. Subscribe to the mag <a href=\"https:\/\/www.silverbackpublishing.rocks\/product\/unlock-the-world-of-shindig-subscribe-today-and-access-every-issue-ever-published\/\">here<\/a>.<\/p>\n<span class=\"synved-social-container synved-social-container-share\"><a class=\"synved-social-button synved-social-button-share synved-social-size-24 synved-social-resolution-single synved-social-provider-facebook nolightbox\" data-provider=\"facebook\" target=\"_blank\" rel=\"nofollow\" title=\"Share on Facebook\" href=\"http:\/\/www.facebook.com\/sharer.php?u=https%3A%2F%2Fshindig-magazine.com%2Findex.php%3Frest_route%3D%252Fwp%252Fv2%252Fposts%252F7470&amp;t=Issue%20%23172%20%E2%80%93%20The%20Moody%20Blues&amp;s=100&amp;p[url]=https%3A%2F%2Fshindig-magazine.com%2Findex.php%3Frest_route%3D%252Fwp%252Fv2%252Fposts%252F7470&amp;p[images][0]=https%3A%2F%2Fshindig-magazine.com%2Fwp-content%2Fuploads%2F2026%2F01%2FMoody.jpg&amp;p[title]=Issue%20%23172%20%E2%80%93%20The%20Moody%20Blues\" style=\"font-size: 0px;width:24px;height:24px;margin:0;margin-bottom:5px;margin-right:5px\"><img loading=\"lazy\" decoding=\"async\" alt=\"Facebook\" title=\"Share on Facebook\" class=\"synved-share-image synved-social-image synved-social-image-share\" width=\"24\" height=\"24\" style=\"display: inline;width:24px;height:24px;margin: 0;padding: 0;border: none;box-shadow: none\" src=\"https:\/\/shindig-magazine.com\/wp-content\/plugins\/social-media-feather\/synved-social\/image\/social\/regular\/48x48\/facebook.png\" \/><\/a><a class=\"synved-social-button synved-social-button-share synved-social-size-24 synved-social-resolution-single synved-social-provider-twitter nolightbox\" data-provider=\"twitter\" target=\"_blank\" rel=\"nofollow\" title=\"Share on Twitter\" href=\"http:\/\/twitter.com\/share?url=https%3A%2F%2Fshindig-magazine.com%2Findex.php%3Frest_route%3D%252Fwp%252Fv2%252Fposts%252F7470&amp;text=New%20post%20on%20our%20site\" style=\"font-size: 0px;width:24px;height:24px;margin:0;margin-bottom:5px;margin-right:5px\"><img loading=\"lazy\" decoding=\"async\" alt=\"twitter\" title=\"Share on Twitter\" class=\"synved-share-image synved-social-image synved-social-image-share\" width=\"24\" height=\"24\" style=\"display: inline;width:24px;height:24px;margin: 0;padding: 0;border: none;box-shadow: none\" src=\"https:\/\/shindig-magazine.com\/wp-content\/plugins\/social-media-feather\/synved-social\/image\/social\/regular\/48x48\/twitter.png\" \/><\/a><a class=\"synved-social-button synved-social-button-share synved-social-size-24 synved-social-resolution-single synved-social-provider-mail nolightbox\" data-provider=\"mail\" rel=\"nofollow\" title=\"Share by email\" href=\"mailto:?subject=Issue%20%23172%20%E2%80%93%20The%20Moody%20Blues&amp;body=New%20post%20on%20our%20site:%20https%3A%2F%2Fshindig-magazine.com%2Findex.php%3Frest_route%3D%252Fwp%252Fv2%252Fposts%252F7470\" style=\"font-size: 0px;width:24px;height:24px;margin:0;margin-bottom:5px;margin-right:5px\"><img loading=\"lazy\" decoding=\"async\" alt=\"mail\" title=\"Share by email\" class=\"synved-share-image synved-social-image synved-social-image-share\" width=\"24\" height=\"24\" style=\"display: inline;width:24px;height:24px;margin: 0;padding: 0;border: none;box-shadow: none\" src=\"https:\/\/shindig-magazine.com\/wp-content\/plugins\/social-media-feather\/synved-social\/image\/social\/regular\/48x48\/mail.png\" \/><\/a><\/span>","protected":false},"excerpt":{"rendered":"<p>A day under three years separated THE MOODY BLUES\u2019 \u2018Go Now!\u2019 topping the UK charts and Days Of Future Passed entering them. During that time, they underwent the most prolonged, tortured evolution of all the British groups that traded beat and blues for psychedelia. It took so long that that the peak of their Denny [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":7472,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[1009,7,1172],"tags":[],"class_list":["post-7470","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-magazine","category-music-videos","category-qobuz","post_format-post-format-video"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/shindig-magazine.com\/index.php?rest_route=\/wp\/v2\/posts\/7470","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/shindig-magazine.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/shindig-magazine.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/shindig-magazine.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/shindig-magazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7470"}],"version-history":[{"count":-2,"href":"https:\/\/shindig-magazine.com\/index.php?rest_route=\/wp\/v2\/posts\/7470\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/shindig-magazine.com\/index.php?rest_route=\/wp\/v2\/media\/7472"}],"wp:attachment":[{"href":"https:\/\/shindig-magazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7470"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/shindig-magazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7470"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/shindig-magazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7470"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}