{"id":7620,"date":"2026-05-07T13:59:25","date_gmt":"2026-05-07T12:59:25","guid":{"rendered":"https:\/\/shindig-magazine.com\/?p=7620"},"modified":"2026-05-07T14:11:22","modified_gmt":"2026-05-07T13:11:22","slug":"jesse-hector-a-message-to-the-world-the-1998-shindig-interview","status":"publish","type":"post","link":"https:\/\/shindig-magazine.com\/?p=7620","title":{"rendered":"Jesse Hector: A Message To The World &#8211; The 1998 Shindig! interview"},"content":{"rendered":"<p><strong>In memory of London legend, rock star and music obsessive, JESSE HECTOR. <\/strong><\/p>\n<p><strong>JON \u2018MOJO\u2019 MILLS\u2019 history of a much-missed one of a kind.<\/strong><\/p>\n<hr \/>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-7621\" src=\"https:\/\/shindig-magazine.com\/wp-content\/uploads\/2026\/05\/shindig_100.jpeg\" alt=\"\" width=\"850\" height=\"1276\" srcset=\"https:\/\/shindig-magazine.com\/wp-content\/uploads\/2026\/05\/shindig_100.jpeg 1414w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2026\/05\/shindig_100-200x300.jpeg 200w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2026\/05\/shindig_100-682x1024.jpeg 682w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2026\/05\/shindig_100-768x1153.jpeg 768w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2026\/05\/shindig_100-1024x1536.jpeg 1024w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2026\/05\/shindig_100-1365x2048.jpeg 1365w\" sizes=\"auto, (max-width: 850px) 100vw, 850px\" \/><\/p>\n<p>If you frequent the collectors record shops in London you may bump into a healthy-looking middle-aged guy who wears his hair in a quiff and dresses in sharp \u201950s attire. He\u2019s usually standing around chatting with music fanatics, both young and old, about his memories of rock \u2019n\u2019 roll. You could say he\u2019s eccentric, although he\u2019s got all of his marbles. He just likes to talk. The man in question is Jesse Hector. For those in the know he is most remembered for his \u201970s mod-punk trio, The Hammersmith Gorillas, who anticipated the UK punk rock scene with their 1974 Larry Page produced version of \u2018You Really Got Me\u2019. But there\u2019s a whole lot more to Jesse than that. Here, for the first time, we trace Jesse Hector\u2019s illustrious career.<\/p>\n<p>On Monday 25th August \u201998 some of the <i>Shindig! <\/i>team (PJ, Mark Raison and I) took it upon ourselves to take Jesse Hector to his fave pub in Camden, North London, get him talking and leave the cassette recorder rolling. After three hours of listening to tales of riotous mod bands, heavy rock and Jesse\u2019s misfortune of never making it BIG, we all came to the conclusion that you won\u2019t meet a nicer bloke. I must note that far more was spoken about than is featured here. When I asked Jesse a question about a group called Shorty &amp; Them he replied: \u201cYou gotta remember, there are a lot of bands I probably saw \u2013 but I might\u2019ve been pissed, pulling a bird, or out the back shagging. If somebody had said to me back then, \u2018Will you keep all of this knowledge in the back of your head because in \u201998 people are gonna start interviewing you?&#8217; I\u2019d have come alive and stood at the alter and studied it. I really didn\u2019t think this was gonna last. If you\u2019re at the back of a hall with a nice bird and getting all excited, you\u2019re not gonna be thinking about seeing a band called Shorty &amp; Them, are ya?\u201d<\/p>\n<p>Jesse Hector was born in Kilburn, North West London in \u201947. He still resides there to this day, a Londoner born and bred. By \u201959 British rock \u2019n\u2019 roll was really coming into its own, and he was there as a part of it. \u201cThe flashy rock \u2019n\u2019 roll took off with Cliff Richard\u2019s \u2018Move It\u2019, which was really exciting and rebellious.\u201d So inspired was Jesse that he decided to follow suit and play this new \u201crebellious\u201d music himself. In \u201960, at the tender age of 13, he formed The Cravattes with his best friend Adrian Stambach (who later went on to join The Clique).<\/p>\n<p>In \u201961, Jesse experienced his first \u201cnear miss\u201d at fame \u2013 the band were gaining a following locally and even achieved some front page coverage in the local press. It looked to be taking off. \u201cWe cut a four-track demo which was supposed to be an EP for Pye but due to some confusion on my part it didn\u2019t get released.\u201d<\/p>\n<p><iframe loading=\"lazy\" title=\"Jesse Hector - All By Myself.wmv\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/thJ1FvTTBks?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>Dressed up as teddy boys in the early \u201960s, it was rock \u2019n\u2019 roll all the way for the guys \u2013 but something suddenly happened in \u201962 that changed Jesse. \u201cThe Beatles were the first loud heavy rock \u2019n\u2019 roll band. The music was very loud and aggressive, it was different. Although Johnny Kidd &amp; The Pirates had already been playing wild R&amp;B they were still stuck in the <i>\u2019<\/i>50s, style-wise. The Beatles were totally new!\u2019 So fanatical did Jesse become that he saved up his pennies and drove to the north Midlands to catch his new heroes live on stage \u2013 this was still early \u201962. \u201cAs soon as I saw them it made my backbone go weak and I knew that they were going to take the world by storm. This was it! The whole dimension of the image was so new and exciting, that was the way to go. I had to get rid of my quiff.\u201d<\/p>\n<p>In \u201963, The Cravattes combed their hair forward to resemble The Beatles. At the time they took on an R&amp;B influence via The Beatles, as were many local London combos. \u201cWe knew we had to move forward \u2013 we started doing stuff like \u2018Talking \u2019Bout You\u2019.\u201d With the \u201950s rock \u2019n\u2019 roll style becoming pass\u00e9, London moved on. The Cravattes split in \u201964 as London became a very different place. The Rolling Stones were becoming a huge success and the long haired R&amp;B look became the vogue.<\/p>\n<p>The Cravattes\u2019 bassist, Adrian, had built up good reputation and was recommended to Willesden band, The Clique. \u201cThey (The Clique) used to use The Up club and Adrian and I went along for a listen. He had a blow with them, liked them and joined.\u201d<\/p>\n<p>Adrian grew his hair long like the rest of the band and got really into The Pretty Things and Stones. Jesse, currently not in a band, took to hanging out with The Clique due to his old buddy Adrian being a member. The Clique looked like they had great promise on the current London scene. Liverpool had been exhausted and the record companies started to look back at London. The long haired R&amp;B groups were in.<\/p>\n<p><iframe loading=\"lazy\" title=\"The Clique - We Didn&#039;t Kiss, We Didn&#039;t Love, But Now We Do Do\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/-tWlaqLPXPQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>On one of their few nights off from gigging Jesse recalls sitting with The Clique in the Wimpy hamburger bar in Kilburn. \u201cLooking out of the window we saw a Bedford van stopped at the traffic lights with \u2018The Birds\u2019 written on the side in very big letters. We thought it was a bit big-headed, but impressive. We raced over and they said \u2018Get in. Get in.\u2019 They were off to The Marquee. But we didn\u2019t go. It was really friendly back then, everyone knew each other.\u201d<\/p>\n<p>The Birds have received great exposure over the last 15 years, though it is only through the Dig The Fuzz <em>Complete Recordings<\/em> that we can put into context the brilliance of The Clique. \u201cThey were highly rated by all the other bands on the scene, like The Birds. They were part of the family,\u201d remembers Jesse.<\/p>\n<p>By \u201965, Jesse and his friends The Clique were becoming more and more obsessed by the mod scene that had been taking off over the last year. They all had their hair cut to a shorter length and became more inspired by The Who than the previous year\u2019s R&amp;B style.<\/p>\n<p>\u201cThe Who were the first to cut their hair and open the parting up \u2019cos it was regarded as a \u2018poofs\u2019 haircut before. If you wore your hair like that in the past it was like \u2018Ooohh, dodgy!\u2019 They augmented that style. They changed the scene by early \u201965 very much to the mod thing.\u201d<\/p>\n<p>Jesse stresses that the fashions were changing week by week, and to keep up you had to change along with it. Even long-hairs like The Birds surrendered to the barber\u2019s chair and were tidied up, made into mods.<\/p>\n<p><iframe loading=\"lazy\" title=\"The Birds - That&#039;s All I Need - 1966\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/faFnp2L9RbE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>\u201cIn \u201966 the whole country was mod. If there were 30,000 mods you\u2019d only have one fucking rocker.\u201d The Jesse of \u201966 was a stylish mod and it was this influence that enormously affected him for his entire musical career. He was absolutely fanatical about it. Every weekend was good \u2013 you could get to see lots of new and exciting groups. \u201cOne of the best fucking bands I ever saw were John\u2019s Children. They blew me away. I saw \u2019em at Allingdale Road\u2019s Starlite Ballroom in Greenford quite a lot in late \u201966. They were real showmen and the great thing about them was that they levelled off with The Small Faces\u2019 image. They were so good looking.\u201d<\/p>\n<p>By far the biggest influence on Jesse \u2013 which paved his musical path \u2013 were The Small Faces. He saw them as Steve Marriott &amp; The Moments in \u201965 and was not impressed. However, a year later things had changed. When he first saw them as The Small Faces he was won over immediately. At one of the gigs Marriot\u2019s green flares brushed against his face as he stood eagerly watching in the front row \u2013 a fond memory.<\/p>\n<p><iframe loading=\"lazy\" title=\"Small Faces \u2022 \u201cPlum Nellie\/You Need Loving\/Baby Please Don\u2019t Go\u201d (Marquee Club) 1966  [RITY Archive]\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/UMhD8uRT5Nw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>In December \u201966 Jesse helped bring about the break-up of The Clique. \u201cWhat happened is they were due to start another load of gigs, but I wanted to go on and do another type of thing. Adrian wanted to leave The Clique and come back with me and this caused a bit of a problem actually. He was such a good bass player that he could never be replaced, so the band split.\u201d<\/p>\n<p>Jesse formed The Rock \u2019n\u2019 Roll Trio in January \u201967 to take around clubs like The Scotch Of St James, Blaises, Samantha\u2019s, etc. Being a forward-thinking mod, he made the decision to go out and do something completely different. In fact, you could even rank the Jesse of this period alongside Ziggy Stardust era David Bowie. The Rock \u2019n\u2019 Roll Trio played old-style rock \u2019n\u2019 roll but in a heavier manner, not unlike Blue Cheer\u2019s version of \u2018Summertime Blues\u2019. They dressed in black and had their dyed black hair quiffed up into huge pompadours. \u201cIt failed miserably,\u201d he recalls. \u201cIt was the kinda thing that would either take off or plummet. It did the latter.\u201d<\/p>\n<p>The hard-rock trio phase of \u201967, led by Hendrix and The Cream, deleted the smart mod fashions and replenished the late \u201960s with screaming electric solos and hair to match. \u201cThe Creation in \u201966, after their two singles on Planet, were the words on everyone\u2019s lips. The Creation were going to be the next supergroup, the big thing that the world was going to copy. Then out of the blue came Hendrix and he just wiped the face of the world clean. He even swept The Who to the side and left them playing shows to no more than 500 people.\u201d However, Jesse understands the importance of Hendrix. \u201cNo one could touch him.\u201d<\/p>\n<p>In \u201967, following the lack of interest in The Rock \u2019n\u2019 Roll Trio, Jesse formed The Way Of Life \u2013 in response to the new wave of Hendrix-style sounds. \u201cIt was a smart band. A few of the guys twizzled their hair out like Hendrix and Clapton.\u201d However, it didn\u2019t last \u2013 it was a short-lived attempt at hitting the big time and again it didn\u2019t.<\/p>\n<p>Later that year Jesse formed The Mod Section, influenced by his love of the mod days of old. He compares the band to The Small Faces, The Move and The Who. \u201cWe played at The Middle Earth and The Marquee and had some great times, though we didn\u2019t really do much. In \u201968 it was a different period and nobody wanted mod. Everyone was growing their hair.\u201d<\/p>\n<p>The drug scene of the late \u201960s was something Jesse didn\u2019t stand for. (Seeing how healthy he is now, avoiding it all proved to be a good move.) \u201cPeople were checking out the LSD and didn\u2019t realise the dangers of it. Steve Marriott blew his brains out. Still, I suppose some good music came out of it, listen to <i>Ogden\u2019s Nut Gone Flake<\/i>.\u201d<\/p>\n<p>By the middle of \u201968, disillusioned with the music business, Jesse decided to learn tailoring as a trade and to make some money for a change. He was tired of all the near misses. At 21 years of age he thought he\u2019d better do something. But in early \u201969 whilst working, Jesse met Alan Butler who happened to play rhythm guitar. The two got together \u2013 after discovering that Jesse\u2019s talent also lay with the guitar, Alan switched to bass. Before long they formed Crushed Butler along with 17 year old rebel drummer, Darryl Reed. \u201cHe was like Keith Moon. A maniac.\u201d<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-7625\" src=\"https:\/\/shindig-magazine.com\/wp-content\/uploads\/2026\/05\/shindig_102-2.jpeg\" alt=\"\" width=\"1585\" height=\"744\" srcset=\"https:\/\/shindig-magazine.com\/wp-content\/uploads\/2026\/05\/shindig_102-2.jpeg 1585w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2026\/05\/shindig_102-2-300x141.jpeg 300w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2026\/05\/shindig_102-2-1024x481.jpeg 1024w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2026\/05\/shindig_102-2-768x360.jpeg 768w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2026\/05\/shindig_102-2-1536x721.jpeg 1536w\" sizes=\"auto, (max-width: 1585px) 100vw, 1585px\" \/><\/p>\n<p>\u201cI only came back to music as The Small Faces had just broken up. That really upset me. I lost sleep and couldn\u2019t eat or anything. I became quite ill. I couldn\u2019t get over that&#8230; it was the worst break-up ever. I was hoping they were going to go to America and become superstars.<\/p>\n<p>\u201cI decided that if they didn\u2019t do it then I fuckin\u2019 would!\u201d<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/widget.qobuz.com\/album\/gf061q9otlx1a?zone=GB-en\" width=\"378\" height=\"390\">Your browser does not support iframes.&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><\/iframe><\/p>\n<p>Crushed Butler was a reaction to the music of the time. \u201cNineteen Sixty-nine was a horribly boring year \u2013 it was all long hair and beards. The Beatles had grown their hair so long you could stand on it. The bands were all farty and horrible. The Small Faces had broken up and grown their hair. The only good band were The Who. But Crushed Butler was a wild band and still mod. We were heavy like The Who \u2013 we went on and stole everything. We were three fresh young mods full of energy. We were a Small Faces type band. We gave \u2019em a pasting.\u201d<\/p>\n<p><iframe loading=\"lazy\" title=\"CRUSHED BUTLER Love Fighter 1970 Official VIDEO\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/eJ-h-fVK0-0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>The band played some high profile gigs over their two-year existence alongside the likes of Atomic Rooster, Third World War and Kevin Ayers among others. The reception was great, and stories of the band blowing the major acts off stage are commonplace.<\/p>\n<p>\u201cThere was this green light going out and I thought we were gonna be up their with The Beatles. But there was something wrong, because we\u2019d do all these gigs, and someone would say, \u2018Did you see who was in the audience tonight?\u2019 Then all of a sudden Marc Bolan was wearing twizzled hair like Darryl, and Slade wore the big sideburns and all that. We thought, \u2018Hey, we\u2019ve given it all away. They don\u2019t want us anymore and we ain\u2019t even nowhere.\u2019 There was Marc Bolan, Rod Stewart and Slade up there doing it \u2013 doing it exactly the way that we started out!\u201d<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-7622\" src=\"https:\/\/shindig-magazine.com\/wp-content\/uploads\/2026\/05\/shindig_102.jpeg\" alt=\"\" width=\"450\" height=\"591\" srcset=\"https:\/\/shindig-magazine.com\/wp-content\/uploads\/2026\/05\/shindig_102.jpeg 668w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2026\/05\/shindig_102-228x300.jpeg 228w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><\/p>\n<p>In \u201971 Darryl left for America where he did well liaising with former members of The Doors and building up a career acting in experimental and horror films. Jesse thinks of his drumming as nothing short of magnificent. But due to the band\u2019s tendency to climb up the musical hill and then instantly roll back down the other side, the group split.<\/p>\n<p>Jesse carried on under the new name of The Hammersmith Gorillas, with Alan Butler and with Gary Anderson brought in on drums. Even after becoming dispirited with the \u201960s he wouldn\u2019t give up and persevered. \u201cI stood in front of the mirror and combed my mod hair properly one day. I was gonna get a look that would kill. I cut it in the shape of a crop on the top with sideburns out here. I had a skinhead at the back, mod on the top, rockabilly sideburns and a parting in the middle. No one would go near it. I looked the greatest thing in the world. I couldn\u2019t go out. People went fuckin\u2019 mad; cars were smashing into each other, lorry drivers gave me dirty looks. It was great. It worked. It was the start of the whole punk movement!\u201d With Alan and Gary dressed up the same way, the group certainly stood out. \u201cAt last,\u201d laughs Jesse, \u201cwe were The Small Faces and John\u2019s Children.\u201d<\/p>\n<p>Jesse\u2019s next move was to take a tape to Larry Page (who he knew from The Clique). The songs on it really excited him, resulting in his request for the band to record a version of \u2018You Really Got Me\u2019 \u2013 this was \u201974, exactly 10 years on from The Kinks recording their hit. The band were taken into the studio to lay down the backing track \u2013 Larry loved its power, but when it came to the vocal, the standard vocal that Jesse had laid down wasn\u2019t enough.<\/p>\n<p><iframe loading=\"lazy\" title=\"the HAMMERSMITH GORILLAS. 1974. you really got me.\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/ul5h6bFZ1TQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>Jesse was temporarily stuck for ideas on how to make it that little bit special&#8230; \u201cCome up with a different vocal. Throw yourself around like when you play. Be wild!\u201d Larry urged him. So that\u2019s what Jesse did \u2013 and he came up with something that can best be described on paper as this: \u201cGururruurl, yerrr reeely gort mi goin.\u201d \u201cLarry said, \u2018That\u2019s it. That\u2019s what we\u2019re looking for.\u2019 \u201d Jesse recalls, \u201cHe went mad. That was the first punk record \u2013 \u2018You Really Got Me\u2019, in \u201974.\u201d Released on Page\u2019s Penny Farthing label, the record was distributed very well and was released in many countries. But again Jesse failed to get a hit. One problem was that radio stations weren\u2019t particularly fond of it \u2013 a certain <i>Radio<\/i><i> <\/i><i>One <\/i>deejay stopped the record half way through and exclaimed, \u201cAre these bum notes? Does this sound real?\u201d However, all publicity is good publicity and the music press picked up on the band.<\/p>\n<p>As with such \u201960s acts as The Creation and Smoke, The Hammersmith Gorillas found more success on the other side of the English Channel. For whatever reason France loved them. \u201cWe made a lot of money there!\u201d laughs Jesse, \u201cAin\u2019t got any now though.\u201d<\/p>\n<p>A bunch of youngsters who later became punk-rock stars festooned the audience of The Hammersmith Gorillas\u2019 gigs \u2013 Jimmy Pursey (Sham 69), Billy Idol (Generation X), Paul Weller (The Jam). Around this time \u2013 mid-75 to early \u201976 \u2013 the band were so well regarded that they were even featured on the front page of the <em>Melody Maker<\/em>.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-7624\" src=\"https:\/\/shindig-magazine.com\/wp-content\/uploads\/2026\/05\/shindig_101-3.jpeg\" alt=\"\" width=\"1667\" height=\"1078\" srcset=\"https:\/\/shindig-magazine.com\/wp-content\/uploads\/2026\/05\/shindig_101-3.jpeg 1667w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2026\/05\/shindig_101-3-300x194.jpeg 300w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2026\/05\/shindig_101-3-1024x662.jpeg 1024w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2026\/05\/shindig_101-3-768x497.jpeg 768w, https:\/\/shindig-magazine.com\/wp-content\/uploads\/2026\/05\/shindig_101-3-1536x993.jpeg 1536w\" sizes=\"auto, (max-width: 1667px) 100vw, 1667px\" \/><\/p>\n<p>Although signed to Chiswick records, the masters of the pub-rock scene, Jesse feels that The Hammersmith Gorillas broke away from that and were playing in circles that gave birth to punk. \u201cThe Hammersmith Gorillas were definitely the first,\u201d he triumphantly proclaims. Although falling into a style that can only be classified as punk, The Hammersmith Gorillas stayed friends with their mod heroes \u2013 John Children\u2019s Chris Townson drummed on the Chiswick single, \u2018She\u2019s My Girl\u2019. Jesse\u2019s taking mod into the \u201970s certainly succeeded. Whilst recording in Morgan Studios in \u201977 one of the engineers commented on how blown away he was by their mod style. The engineer in question had once played in The Smoke and remarked, \u201cYou guys remind me of me in \u201967!\u201d<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/widget.qobuz.com\/album\/5020422004924?zone=GB-en\" width=\"378\" height=\"390\">Your browser does not support iframes.&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><\/iframe><\/p>\n<p>Jesse\u2019s opinion on mod? \u201cThat was my thing in life. The Small Faces and The Who were indescribable. It was like watching God. It was a step further than humanity. Punk was nothing on that!\u201d<\/p>\n<p>The LP, <i>Message To The World<\/i>, received some acclaim, but not enough. With little radio play and an increasing tiredness with the scene, the band called it a day in \u201979.<\/p>\n<p>\u201cIn \u201980 Spandau Ballet and the electronic sound was moving in. I moved out.\u2019<\/p>\n<p>Throughout the \u201980s Jesse had little to do with music and managed a cleaning company \u2013 at last, he was making some decent money.<\/p>\n<p>As the \u201990s dawned Jesse was getting back into music and had reverted to the rock \u2019n\u2019 roll style of his youth as The Jesse Hector Sound. However, after seeing a huge interest in the mod scene, Jesse met up with the now defunct London band The Clique (yes, an homage to his old pals) and was to be seen on stage with them on a number of occasions. He\u2019s now even talking about getting his checked trousers out of the closet and growing his hair and opening up the Marriott parting once again&#8230;<\/p>\n<p><iframe loading=\"lazy\" title=\"Jesse Hector A MESSAGE TO THE WORLD (Caroline Catz)\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/v4TuOsII9i0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><strong>Jesse Hector 17th July 1947 &#8211; 6th May 2026.<\/strong><\/p>\n<p>Ace Records&#8217; <a href=\"https:\/\/www.acerecords.co.uk\/the-hammersmith-gorillas\">product<\/a>.<\/p>\n<p><a href=\"https:\/\/www.silverbackpublishing.rocks\/product\/unlock-the-world-of-shindig-subscribe-today-and-access-every-issue-ever-published\/\">Subscribe<\/a> to <em>Shindig!<\/em> today so that you have articles like this delivered to your door every month.<\/p>\n<span class=\"synved-social-container synved-social-container-share\"><a class=\"synved-social-button synved-social-button-share synved-social-size-24 synved-social-resolution-single synved-social-provider-facebook nolightbox\" data-provider=\"facebook\" target=\"_blank\" rel=\"nofollow\" title=\"Share on Facebook\" href=\"http:\/\/www.facebook.com\/sharer.php?u=https%3A%2F%2Fshindig-magazine.com%2Findex.php%3Frest_route%3D%252Fwp%252Fv2%252Fposts%252F7620&#038;t=Jesse%20Hector%3A%20A%20Message%20To%20The%20World%20%E2%80%93%20The%201998%20Shindig%21%20interview&#038;s=100&#038;p&#091;url&#093;=https%3A%2F%2Fshindig-magazine.com%2Findex.php%3Frest_route%3D%252Fwp%252Fv2%252Fposts%252F7620&#038;p&#091;images&#093;&#091;0&#093;=https%3A%2F%2Fshindig-magazine.com%2Fwp-content%2Fuploads%2F2026%2F05%2FScreenshot-2026-05-06-at-14.51.46.png&#038;p&#091;title&#093;=Jesse%20Hector%3A%20A%20Message%20To%20The%20World%20%E2%80%93%20The%201998%20Shindig%21%20interview\" style=\"font-size: 0px;width:24px;height:24px;margin:0;margin-bottom:5px;margin-right:5px\"><img loading=\"lazy\" decoding=\"async\" alt=\"Facebook\" title=\"Share on Facebook\" class=\"synved-share-image synved-social-image synved-social-image-share\" width=\"24\" height=\"24\" style=\"display: inline;width:24px;height:24px;margin: 0;padding: 0;border: none;box-shadow: none\" src=\"https:\/\/shindig-magazine.com\/wp-content\/plugins\/social-media-feather\/synved-social\/image\/social\/regular\/48x48\/facebook.png\" \/><\/a><a class=\"synved-social-button synved-social-button-share synved-social-size-24 synved-social-resolution-single synved-social-provider-twitter nolightbox\" data-provider=\"twitter\" target=\"_blank\" rel=\"nofollow\" title=\"Share on Twitter\" href=\"http:\/\/twitter.com\/share?url=https%3A%2F%2Fshindig-magazine.com%2Findex.php%3Frest_route%3D%252Fwp%252Fv2%252Fposts%252F7620&#038;text=New%20post%20on%20our%20site\" style=\"font-size: 0px;width:24px;height:24px;margin:0;margin-bottom:5px;margin-right:5px\"><img loading=\"lazy\" decoding=\"async\" alt=\"twitter\" title=\"Share on Twitter\" class=\"synved-share-image synved-social-image synved-social-image-share\" width=\"24\" height=\"24\" style=\"display: inline;width:24px;height:24px;margin: 0;padding: 0;border: none;box-shadow: none\" src=\"https:\/\/shindig-magazine.com\/wp-content\/plugins\/social-media-feather\/synved-social\/image\/social\/regular\/48x48\/twitter.png\" \/><\/a><a class=\"synved-social-button synved-social-button-share synved-social-size-24 synved-social-resolution-single synved-social-provider-mail nolightbox\" data-provider=\"mail\" rel=\"nofollow\" title=\"Share by email\" href=\"mailto:?subject=Jesse%20Hector%3A%20A%20Message%20To%20The%20World%20%E2%80%93%20The%201998%20Shindig%21%20interview&#038;body=New%20post%20on%20our%20site:%20https%3A%2F%2Fshindig-magazine.com%2Findex.php%3Frest_route%3D%252Fwp%252Fv2%252Fposts%252F7620\" style=\"font-size: 0px;width:24px;height:24px;margin:0;margin-bottom:5px;margin-right:5px\"><img loading=\"lazy\" decoding=\"async\" alt=\"mail\" title=\"Share by email\" class=\"synved-share-image synved-social-image synved-social-image-share\" width=\"24\" height=\"24\" style=\"display: inline;width:24px;height:24px;margin: 0;padding: 0;border: none;box-shadow: none\" src=\"https:\/\/shindig-magazine.com\/wp-content\/plugins\/social-media-feather\/synved-social\/image\/social\/regular\/48x48\/mail.png\" \/><\/a><\/span>","protected":false},"excerpt":{"rendered":"<p>In memory of London legend, rock star and music obsessive, JESSE HECTOR. JON \u2018MOJO\u2019 MILLS\u2019 history of a much-missed one of a kind. If you frequent the collectors record shops in London you may bump into a healthy-looking middle-aged guy who wears his hair in a quiff and dresses in sharp \u201950s attire. He\u2019s usually [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":7626,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[1009,7,1172],"tags":[1249,1247,1248],"class_list":["post-7620","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-magazine","category-music-videos","category-qobuz","tag-crushed-butler","tag-jesse-hector","tag-the-hammersmith-gorillas","post_format-post-format-video"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/shindig-magazine.com\/index.php?rest_route=\/wp\/v2\/posts\/7620","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/shindig-magazine.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/shindig-magazine.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/shindig-magazine.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/shindig-magazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7620"}],"version-history":[{"count":-3,"href":"https:\/\/shindig-magazine.com\/index.php?rest_route=\/wp\/v2\/posts\/7620\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/shindig-magazine.com\/index.php?rest_route=\/wp\/v2\/media\/7626"}],"wp:attachment":[{"href":"https:\/\/shindig-magazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7620"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/shindig-magazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7620"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/shindig-magazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7620"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}